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GÜZELLİK & SAĞLIK
ZANAAT
KÜLTÜR & TARİH
EĞLENCE
ÇEVRE
YİYECEK & İÇECEK
TERS MÜHENDİSLİK
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TEKNOLOJİ
GİYİLEBİLİR ÜRÜNLER
Tablo
37 plan mevcut
Planlar (37)
The Collapsible Tube: A Container That Is Always Full
Charlie tarafından
Tablo
12
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
Mary tarafından
Malzemeler
16
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
Charlie tarafından
SANAT
53
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
Charlie tarafından
SANAT
57
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
Charlie tarafından
SANAT
68
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Charlie tarafından
SANAT
62
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
Charlie tarafından
SANAT
51
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
Charlie tarafından
SANAT
66
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
Charlie tarafından
SANAT
77
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
Charlie tarafından
SANAT
156
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
Charlie tarafından
SANAT
74
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
Charlie tarafından
SANAT
136
0
0
0
2
0
Tehlikeli
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Charlie tarafından
SANAT
65
0
0
0
2
0
Tehlikeli
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Charlie tarafından
SANAT
75
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
Charlie tarafından
SANAT
72
0
0
0
4
0
Tehlikeli
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Charlie tarafından
SANAT
88
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
Charlie tarafından
SANAT
61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
Charlie tarafından
SANAT
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
Charlie tarafından
SANAT
61
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
Charlie tarafından
Hayvan
143
0
0
0
3
0
Tehlikeli
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Charlie tarafından
Antik
108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
Charlie tarafından
Ortaçağ
133
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
Charlie tarafından
Antik
90
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
Charlie tarafından
Antik
90
0
0
0
9
0
37 içinden 24 gösteriliyor