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Decorative Arts
73 blueprints available • 14 subcategories
Browse Subcategories
Blueprints (73)

Hazardous
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
by Charlie
ART
65
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
by Charlie
ART
65
0
0
0
4
0

Hazardous
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
by Charlie
ART
79
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
by Charlie
ART
57
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
by Charlie
ART
48
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
by Charlie
ART
53
0
0
0
3
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
by Charlie
Animal
122
0
0
0
3
0

Hazardous
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
by Charlie
Ancient
96
0
0
0
8
0

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
by Charlie
Middle Ages
122
0
0
0
4
0

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
by Charlie
Ancient
78
0
0
0
6
0

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
by Charlie
Ancient
77
0
0
0
9
0

Hazardous
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
by Charlie
Modern
80
0
0
0
7
0

Hazardous
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
by Charlie
Middle Ages
52
0
0
0
6
0

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
by Charlie
Middle Ages
56
0
0
0
8
0

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
by Charlie
Ancient
60
0
0
0
2
0

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
by Charlie
Ancient
40
0
0
0
3
0

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
by Charlie
Ancient
159
0
0
0
4
0

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
by Charlie
Ancient
48
0
0
0
3
0

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
by Charlie
Middle Ages
64
0
0
0
4
0

Making Lime Wash — The Oldest and Simplest Wall Paint in the World
by Charlie
Prehistoric
110
0
0
0
2
0