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BlueprintsArtDecorative Arts

Decorative Arts

50 blueprints available • 14 subcategories

Blueprints (50)

Making a Daguerreotype — The First Practical Photograph, Drawn in Silver and Mercury
Hazardous content

Making a Daguerreotype — The First Practical Photograph, Drawn in Silver and Mercury

by LegolasUS

Photography

24
0
0
0
0
0
Creating 3D Models with Claude AI and Blender — From Conversation to .blend File

Creating 3D Models with Claude AI and Blender — From Conversation to .blend File

by PixelFI

Digital Design

184
0
0
0
1
0
Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing

Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing

by EmmaSE

Romans

29
0
0
0
0
0
Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon

Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon

by EmmaSE

Romans

36
0
0
0
0
0
Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish

Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish

by CharlieDE

Mosaic

30
0
0
0
0
0
Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark

Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark

by WoodyNO

Woodworking

21
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

by CharlieDE

Painting

30
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

by CharlieDE

Painting

23
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

by CharlieDE

Painting

23
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

by CharlieDE

Middle Ages

22
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

by CharlieDE

Pigment Color

18
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

by CharlieDE

Middle Ages

28
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

by CharlieDE

Pigment Color

23
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

by CharlieDE

ART

58
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

by CharlieDE

Painting

18
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

by CharlieDE

ART

53
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Hazardous content

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

by CharlieDE

ART

30
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Hazardous content

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

by CharlieDE

Pigment Color

32
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

by CharlieDE

ART

27
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Hazardous content

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

by CharlieDE

ART

44
0
0
0
5
0