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ART

90 blueprints available • 3 subcategories

Blueprints (90)

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

by CharlieDE

ART

39
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

by CharlieDE

Painting

31
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Hazardous content

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

by CharlieDE

Pigment Color

21
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

by CharlieDE

Painting

22
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

by CharlieDE

ART

20
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

by CharlieDE

ART

15
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

by CharlieDE

ART

28
0
0
0
2
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

by CharlieDE

ART

33
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

by CharlieDE

Ancient

23
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

by CharlieDE

Painting

32
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

by CharlieDE

Pigment Color

30
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

by CharlieDE

Prehistoric

57
0
0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World

Making Lime Wash — The Oldest and Simplest Wall Paint in the World

by CharlieDE

Prehistoric

35
0
0
0
2
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

by CharlieDE

Pigment Color

47
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

by CharlieDE

ART

34
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

by CharlieDE

Pigment Color

35
0
0
0
7
0
Cochineal Harvest from Prickly Pear — From Insect to Carmine Pigment

Cochineal Harvest from Prickly Pear — From Insect to Carmine Pigment

by FlorecitaMX

Ancient

23
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium

Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium

by CharlieDE

Pigment Color

95
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium

Making Egg Tempera Paint — The Medieval Panel Painting Medium

by CharlieDE

Middle Ages

108
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil

Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil

by CharlieDE

Chemistry

99
0
0
0
5
0