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Middle Ages

82 blueprints available

Blueprints (82)

Making Paper from Linen Rags — European Hand Papermaking

Making Paper from Linen Rags — European Hand Papermaking

by TexFO

Paper Making

19
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2
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Making a Glass Bead on a Mandrel — Lampwork Beadmaking

Making a Glass Bead on a Mandrel — Lampwork Beadmaking

by ForgeNO

Sculpting

20
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0
0
0
0
Making Maya Blue — The Indestructible Pigment of Mesoamerica

Making Maya Blue — The Indestructible Pigment of Mesoamerica

by CharlieDE

ART

18
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0
0
2
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Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

by CharlieDE

Painting

17
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2
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Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Hazardous content

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

by CharlieDE

Pigment Color

13
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0
0
1
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

by CharlieDE

Middle Ages

19
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0
0
0
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

by CharlieDE

Middle Ages

20
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0
0
2
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Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

by CharlieDE

Painting

9
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3
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Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

by CharlieDE

ART

19
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0
2
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Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

by CharlieDE

Middle Ages

12
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4
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Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Hazardous content

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

by CharlieDE

Middle Ages

14
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6
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Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

by CharlieDE

ART

16
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8
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Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

by CharlieDE

Decorative Arts

25
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4
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Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

by CharlieDE

Middle Ages

18
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0
6
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Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

by CharlieDE

Middle Ages

21
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0
0
6
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Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

by TexFO

Middle Ages

37
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Dyeing Red with Brazilwood — The Dyewood That Named a Nation

Dyeing Red with Brazilwood — The Dyewood That Named a Nation

by TexFO

Dyes & Pigments

21
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1
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Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

by TexFO

Textile & Leather

24
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1
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Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

by TexFO

Textile & Leather

18
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1
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Needle Felting — Sculpting Wool with Barbed Needles

Needle Felting — Sculpting Wool with Barbed Needles

by TexFO

Middle Ages

15
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