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BlueprintsART
ART
112 blueprints available • 3 subcategories
Browse Subcategories
Blueprints (112)
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ngu-Charlie
ART
28
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
ngu-Charlie
ART
26
0
0
0
2
0
Yingozi
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
ngu-Charlie
ART
29
0
0
0
4
0
Yingozi
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
ngu-Charlie
ART
31
0
0
0
0
0
Yingozi
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
ngu-Charlie
ART
59
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ngu-Charlie
ART
74
0
0
0
0
0
Ukwenza i-Red Ochre Tattoo Paint
ngu-Charlie
Body Art
51
0
0
0
1
0
Lungisa Isi ye-tattoo Emnyama kusuka e-umsi wekhuni — Umuntu Omkhulu kkunyenye Ishwa yomntu
ngu-Charlie
Body Art
63
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ngu-Charlie
ART
23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ngu-Charlie
ART
57
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
ngu-Charlie
Distilling
26
0
0
0
2
0
Yingozi
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ngu-Charlie
ART
35
0
0
0
2
0
Yingozi
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ngu-Charlie
ART
37
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ngu-Charlie
ART
30
0
0
0
4
0
Yingozi
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ngu-Charlie
ART
46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ngu-Charlie
ART
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ngu-Charlie
ART
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ngu-Charlie
ART
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ngu-Charlie
Animal
50
0
0
0
3
0
Yingozi
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ngu-Charlie
Ancient
44
0
0
0
8
0