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UBUCIKO
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AMASIKO NOMLANDO
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Ama-BlueprintSciencesAmakhemikhali

Amakhemikhali

Ama-Blueprint angu-1,290 ayatholakala • Izigatshana ezingu-22

Yeqashela Izigatshana

Spectroscopy

Polymer

Umbala We-Pigment

Okwenyama

Organic

Nuclear

Nanotechnology

Kwezokwelapha

Izinto Zokwakha

Inorganic

Kwezimboni

Umlando

Geochemistry

Ukusha Komlilo

Okwemvelo

CSI Forensic

Crystallography

Cryogenics

Chromatography

Biochemistry

Astrochemistry

Okuhlaziyayo

Ama-Blueprint (1,290)

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Yingozi

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

ngu-CharlieDE

UBUCIKO

86
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

ngu-CharlieDE

UBUCIKO

90
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Yingozi

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

ngu-CharlieDE

UBUCIKO

111
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

ngu-CharlieDE

UBUCIKO

79
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

ngu-CharlieDE

UBUCIKO

69
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

ngu-CharlieDE

UBUCIKO

93
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

ngu-CharlieDE

Isilwane

186
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Yingozi

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

ngu-CharlieDE

Kwasendulo

143
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

ngu-CharlieDE

Iminyaka Ephakathi

165
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

ngu-CharlieDE

Kwasendulo

119
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

ngu-CharlieDE

Kwasendulo

121
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

ngu-CharlieDE

Kwesimanje

121
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Yingozi

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

ngu-CharlieDE

Iminyaka Ephakathi

72
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

ngu-CharlieDE

Iminyaka Ephakathi

97
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

ngu-CharlieDE

Kwasendulo

81
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

ngu-CharlieDE

Kwasendulo

73
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

ngu-CharlieDE

Ngaphambi Komlando

113
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

ngu-CharlieDE

Kwasendulo

66
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

ngu-CharlieDE

Kwasendulo

116
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

ngu-CharlieDE

Ngaphambi Komlando

222
0
0
0
6
0
Ukwenza Ibomvu Ngokushisa Ubuhlungwana — Ukuguqulwa Kombala Okwenziwe Ngamabomu Okudala Kakhulu

Ukwenza Ibomvu Ngokushisa Ubuhlungwana — Ukuguqulwa Kombala Okwenziwe Ngamabomu Okudala Kakhulu

ngu-CharlieDE

Ngaphambi Komlando

173
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

ngu-CharlieDE

Iminyaka Ephakathi

120
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

ngu-CharlieDE

Kwasendulo

126
0
0
0
7
0
Dyeing Red-Brown with Quebracho — The Industrial Tannin of South American Hardwood

Dyeing Red-Brown with Quebracho — The Industrial Tannin of South American Hardwood

ngu-TexFO

Kwezimboni

62
0
0
0
1
0
Kukhonjiswa 24 kwangu-1290