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1.029 blueprints disponíveis • 22 subcategorias
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Plantas (1.029)
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
ARTE
156
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
por Charlie
Destilação
86
0
0
0
2
0
Perigoso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
78
0
0
0
2
0
Perigoso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
ARTE
81
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
por Charlie
ARTE
81
0
0
0
4
0
Perigoso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
ARTE
98
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
ARTE
68
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
por Charlie
ARTE
61
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
por Charlie
ARTE
75
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
por Charlie
Animal
170
0
0
0
3
0
Perigoso
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
por Charlie
Antigo
128
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
por Charlie
Idade Média
145
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
por Charlie
Antigo
102
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
por Charlie
Antigo
104
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
por Charlie
Moderno
110
0
0
0
7
0
Perigoso
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
por Charlie
Idade Média
67
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
por Charlie
Idade Média
76
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
por Charlie
Antigo
73
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
por Charlie
Antigo
60
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
por Charlie
Pré-histórico
94
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
por Charlie
Antigo
58
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
por Charlie
Antigo
103
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
por Charlie
Pré-histórico
198
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
por Charlie
Pré-histórico
158
0
0
0
7
0
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