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Química

1.029 blueprints disponíveis • 22 subcategorias

Plantas (1.029)

Making Maya Blue — The Indestructible Pigment of Mesoamerica

Making Maya Blue — The Indestructible Pigment of Mesoamerica

por CharlieDE

ARTE

162
0
0
0
2
0
Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
Perigoso

Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment

por CharlieDE

ARTE

81
0
0
0
2
0
Making Egyptian Blue — The World's First Synthetic Pigment

Making Egyptian Blue — The World's First Synthetic Pigment

por CharlieDE

ARTE

65
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

por CharlieDE

ARTE

66
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Perigoso

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

por CharlieDE

ARTE

53
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Perigoso

Making Viridian — The Permanent Transparent Chromium Oxide Green

por CharlieDE

ARTE

61
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Perigoso

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

por CharlieDE

ARTE

70
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Perigoso

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

por CharlieDE

ARTE

62
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Perigoso

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

por CharlieDE

ARTE

72
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

por CharlieDE

ARTE

63
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

por CharlieDE

ARTE

77
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

por CharlieDE

ARTE

66
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

por CharlieDE

ARTE

98
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

por CharlieDE

ARTE

58
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

por CharlieDE

ARTE

81
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

por CharlieDE

ARTE

89
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

por CharlieDE

ARTE

88
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Perigoso

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

por CharlieDE

ARTE

60
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Perigoso

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

por CharlieDE

ARTE

62
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Perigoso

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

por CharlieDE

ARTE

104
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

por CharlieDE

ARTE

181
0
0
0
0
0
Fazer Tinta de Tatuagem com Ocre Vermelho

Fazer Tinta de Tatuagem com Ocre Vermelho

por CharlieDE

Arte Corporal

146
0
0
0
1
0
Fazendo Tinta de Tatuagem Preta a partir de Fuligem de Madeira — O Pigmento Corporal Mais Antigo da História Humana

Fazendo Tinta de Tatuagem Preta a partir de Fuligem de Madeira — O Pigmento Corporal Mais Antigo da História Humana

por CharlieDE

Arte Corporal

149
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

por CharlieDE

ARTE

81
0
0
0
3
0
Mostrando 24 de 1029