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BlaupausenKULTUR & GESCHICHTE
KULTUR & GESCHICHTE
1.508 Blaupausen verfügbar • 3 Unterkategorien
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Blaupausen (1.508)
Gefährlich
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
von Charlie
KUNST
59
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
von Charlie
KUNST
37
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
von Charlie
KUNST
30
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
von Charlie
KUNST
43
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
von Charlie
Tier
90
0
0
0
3
0
Gefährlich
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
von Charlie
Uralt
74
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
von Charlie
Mittelalter
100
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
von Charlie
Uralt
60
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
von Charlie
Uralt
65
0
0
0
9
0
Gefährlich
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
von Charlie
Modern
62
0
0
0
7
0
Gefährlich
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
von Charlie
Mittelalter
35
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
von Charlie
Mittelalter
40
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
von Charlie
Uralt
40
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
von Charlie
Uralt
25
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
von Charlie
Uralt
137
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
von Charlie
Prähistorisch
53
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
von Charlie
Uralt
38
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
von Charlie
Mittelalter
49
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
von Charlie
Uralt
52
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
von Charlie
Prähistorisch
111
0
0
0
6
0