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Artes Decorativas
49 blueprints disponibles • 14 subcategorías
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Blueprints (49)
Creating 3D Models with Claude AI and Blender — From Conversation to .blend File
por Pixel
Diseño Digital
94
0
0
0
1
0
Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing
por Emma
Arquitectura
22
0
0
0
0
0
Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon
por Emma
Antiguo
27
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0
0
0
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Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish
por Charlie
Química
16
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0
0
0
Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark
por Woody
ARTE
13
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0
0
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Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
por Charlie
ARTE
19
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0
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2
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Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
por Charlie
Pintura
15
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5
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Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
por Charlie
Color Pigmento
17
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0
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2
0
Contenido peligroso
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
por Charlie
Color Pigmento
13
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0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
13
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0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
ARTE
19
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0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
Color Pigmento
19
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0
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2
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Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
Mar
25
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0
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Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
Pintura
9
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3
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Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
Química
30
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0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
Antiguo
20
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0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
Antiguo
22
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0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
por Charlie
Color Pigmento
21
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0
0
4
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Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
Pintura
26
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0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
Color Pigmento
20
0
0
0
1
0