ART
BEAUTÉ ET BIEN-ÊTRE
ARTISANAT
CULTURE ET HISTOIRE
DIVERTISSEMENT
ENVIRONNEMENT
NOURRITURE ET BOISSONS
INGÉNIERIE INVERSE
SCIENCES
SPORTS
TECHNOLOGIE
TECHNOLOGIE PORTABLE

Couleur Pigment

73 blueprints disponibles

Blueprints (73)

Making Egyptian Blue — The World's First Synthetic Pigment

Making Egyptian Blue — The World's First Synthetic Pigment

par CharlieDE

ART

28
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

par CharlieDE

ART

32
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Dangereux

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

par CharlieDE

ART

23
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Dangereux

Making Viridian — The Permanent Transparent Chromium Oxide Green

par CharlieDE

ART

18
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Dangereux

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

par CharlieDE

ART

31
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Dangereux

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

par CharlieDE

ART

26
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Dangereux

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

par CharlieDE

ART

36
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

par CharlieDE

ART

24
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

par CharlieDE

ART

25
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

par CharlieDE

ART

29
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

par CharlieDE

ART

28
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

par CharlieDE

ART

19
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

par CharlieDE

ART

33
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

par CharlieDE

ART

32
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

par CharlieDE

ART

28
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Dangereux

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

par CharlieDE

ART

29
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Dangereux

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

par CharlieDE

ART

31
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Dangereux

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

par CharlieDE

ART

60
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

par CharlieDE

ART

79
0
0
0
0
0
Fabriquer de la Peinture de Tatouage Ocre Rouge

Fabriquer de la Peinture de Tatouage Ocre Rouge

par CharlieDE

Art Corporel

53
0
0
0
1
0