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Couleur Pigment
72 blueprints disponibles
Blueprints (72)
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
par Charlie
Peinture
8
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
par Charlie
Moderne
30
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
par Charlie
ART
19
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
par Charlie
Couleur Pigment
20
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
par Charlie
Chimie
22
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
par Charlie
ART
21
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
par Charlie
Ancien
26
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
par Charlie
ART
20
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
par Charlie
Peinture
11
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
par Charlie
Couleur Pigment
13
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
par Charlie
Chimie
25
0
0
0
3
0
Contenu dangereux
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
par Charlie
ART
17
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
par Charlie
ART
12
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
par Charlie
ART
25
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
par Charlie
Couleur Pigment
27
0
0
0
9
0
Contenu dangereux
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
par Charlie
Peinture
20
0
0
0
7
0
Contenu dangereux
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
par Charlie
Moyen Âge
14
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
par Charlie
ART
16
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
par Charlie
ART
16
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
par Charlie
ART
11
0
0
0
3
0