ART
BEAUTÉ ET BIEN-ÊTRE
ARTISANAT
CULTURE ET HISTOIRE
DIVERTISSEMENT
ENVIRONNEMENT
NOURRITURE ET BOISSONS
INGÉNIERIE INVERSE
SCIENCES
SPORTS
TECHNOLOGIE
TECHNOLOGIE PORTABLE
PlansSciencesChimie

Chimie

1 072 blueprints disponibles • 22 sous-catégories

Parcourir les Sous-catégories

Spectroscopie

Polymère

Couleur Pigment

Physique

Organique

Nucléaire

Nanotechnologie

Médical

Matériaux

Inorganique

Industriel

Histoire

Géochimie

Combustion du Feu

Environnemental

CSI Forensique

Cristallographie

Cryogénie

Chromatographie

Biochimie

Astrochimie

Analytique

Plans (1 072)

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Dangereux

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

par CharlieDE

ART

102
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

par CharlieDE

ART

70
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

par CharlieDE

ART

62
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

par CharlieDE

ART

79
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

par CharlieDE

Animal

170
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Dangereux

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

par CharlieDE

Ancien

130
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

par CharlieDE

Moyen Âge

148
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

par CharlieDE

Ancien

105
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

par CharlieDE

Ancien

104
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

par CharlieDE

Moderne

111
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Dangereux

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

par CharlieDE

Moyen Âge

67
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

par CharlieDE

Moyen Âge

78
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

par CharlieDE

Ancien

74
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

par CharlieDE

Ancien

63
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

par CharlieDE

Préhistorique

98
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

par CharlieDE

Ancien

58
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

par CharlieDE

Ancien

103
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

par CharlieDE

Préhistorique

200
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

par CharlieDE

Préhistorique

158
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

par CharlieDE

Moyen Âge

107
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

par CharlieDE

Ancien

109
0
0
0
7
0
Dyeing Red-Brown with Quebracho — The Industrial Tannin of South American Hardwood

Dyeing Red-Brown with Quebracho — The Industrial Tannin of South American Hardwood

par TexFO

Industriel

59
0
0
0
1
0
Synthetic Indigo — BASF's Industrial Synthesis That Replaced a Global Crop
Dangereux

Synthetic Indigo — BASF's Industrial Synthesis That Replaced a Global Crop

par TexFO

Industry 2.0 — Electricity, Steel & Oil (1870)

128
0
0
0
0
0
Whitney's Cotton Gin — Separating Seed from Fiber at Industrial Scale

Whitney's Cotton Gin — Separating Seed from Fiber at Industrial Scale

par TexFO

Industry 1.0 — Steam & Mechanization (1760)

46
0
0
0
1
0
24 sur 1072 affichés