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TeikningarSciencesEfnafræðiLitarefnalitur

Litarefnalitur

73 teikningar tiltækar

Teikningar (73)

Gera svart tatúeringu blek frá trjóberkum — Elsta líkamabletill mannkynssögu

Gera svart tatúeringu blek frá trjóberkum — Elsta líkamabletill mannkynssögu

eftir CharlieDE

Líkamalist

63
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

eftir CharlieDE

LIST

23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

eftir CharlieDE

Efnafræði

57
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

eftir CharlieDE

Miðaldir

26
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Hættulegt

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

eftir CharlieDE

LIST

35
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Hættulegt

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

eftir CharlieDE

Efnafræði

37
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

eftir CharlieDE

LIST

30
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Hættulegt

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

eftir CharlieDE

Málverk

46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

eftir CharlieDE

LIST

31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

eftir CharlieDE

LIST

21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

eftir CharlieDE

Litarefnalitur

29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

eftir CharlieDE

Efnafræði

50
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Hættulegt

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

eftir CharlieDE

Forn

43
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

eftir CharlieDE

LIST

68
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

eftir CharlieDE

Efnafræði

41
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

eftir CharlieDE

Forn

41
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
Hættulegt

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

eftir CharlieDE

Efnafræði

41
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Hættulegt

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

eftir CharlieDE

LIST

21
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

eftir CharlieDE

Efnafræði

24
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

eftir CharlieDE

Forn

22
0
0
0
2
0
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