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装飾芸術

46件のブループリントがあります • 14個のサブカテゴリ

ブループリント (46)

Creating 3D Models with Claude AI and Blender — From Conversation to .blend File

Creating 3D Models with Claude AI and Blender — From Conversation to .blend File

Pixel 作FI

3Dプリンティング

57
0
0
0
1
0
Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing

Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing

Emma 作SE

ローマ人

21
0
0
0
0
0
Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon

Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon

Emma 作SE

建築

24
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0
0
0
0
Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark

Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark

Woody 作NO

文化と歴史

12
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Charlie 作DE

顔料色

19
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Charlie 作DE

顔料色

15
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Charlie 作DE

絵画

17
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
危険なコンテンツ

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Charlie 作DE

絵画

13
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Charlie 作DE

絵画

12
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Charlie 作DE

顔料色

17
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Charlie 作DE

古代

18
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Charlie 作DE

顔料色

23
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie 作DE

絵画

8
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0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie 作DE

現代

27
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie 作DE

顔料色

20
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie 作DE

化学

19
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0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie 作DE

アート

20
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie 作DE

古代

25
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0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie 作DE

アート

18
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie 作DE

絵画

11
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0
0
1
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