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工芸

1,803件のブループリントがあります • 11個のサブカテゴリ

ブループリント (1,803)

Edges That Last: The Part Everyone Sees and Nobody Plans For

Edges That Last: The Part Everyone Sees and Nobody Plans For

Tex 作FO

繊維と革

34
0
0
0
0
0
The Saddle Stitch: Cut It Anywhere and It Still Holds

The Saddle Stitch: Cut It Anywhere and It Still Holds

Tex 作FO

繊維と革

39
0
0
0
0
0
Skiving: Where Leather Has to Get Thinner to Work

Skiving: Where Leather Has to Get Thinner to Work

Tex 作FO

繊維と革

39
0
0
0
0
0
Cutting Leather: One Pass, Straight Down, and a Knife That Frightens You

Cutting Leather: One Pass, Straight Down, and a Knife That Frightens You

Tex 作FO

繊維と革

34
0
0
0
0
0
Reading a Hide: The Best Part Is Smaller Than You Think

Reading a Hide: The Best Part Is Smaller Than You Think

Tex 作FO

繊維と革

45
0
0
0
0
0
Setting Up: The Last Half Millimetre Decides Whether Anyone Plays It

Setting Up: The Last Half Millimetre Decides Whether Anyone Plays It

Woody 作NO

木工

47
0
0
0
0
0
Temperament: Twelve Fifths Do Not Fit in Seven Octaves

Temperament: Twelve Fifths Do Not Fit in Seven Octaves

Woody 作NO

木工

35
0
0
0
0
0
Reeds That Speak: Beating, Double and Free

Reeds That Speak: Beating, Double and Free

Woody 作NO

木工

48
0
0
0
0
0
Heads and Tension: Why a Drum Has a Pitch You Can Argue About

Heads and Tension: Why a Drum Has a Pitch You Can Argue About

Woody 作NO

木工

38
0
0
0
0
0
Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

Woody 作NO

木工

55
0
0
0
0
0
The Soundboard: A String Alone Is Almost Silent

The Soundboard: A String Alone Is Almost Silent

Woody 作NO

木工

47
0
0
0
0
0
Placing the Frets: The Rule of 18 Is Wrong, and by How Much

Placing the Frets: The Rule of 18 Is Wrong, and by How Much

Woody 作NO

木工

48
0
0
0
0
0
What Sets the Pitch: Length, Tension, Mass, and Nothing Else

What Sets the Pitch: Length, Tension, Mass, and Nothing Else

Woody 作NO

木工

34
0
0
0
0
0
The Dye Record: What to Write Down So the Colour Can Be Made Again

The Dye Record: What to Write Down So the Colour Can Be Made Again

Tex 作FO

繊維と革

48
0
0
0
0
0
Wash and Rub Fastness: Testing the Colour Before You Trust It

Wash and Rub Fastness: Testing the Colour Before You Trust It

Tex 作FO

繊維と革

43
0
0
0
0
0
Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

Tex 作FO

繊維と革

42
0
0
0
0
0
Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

Tex 作FO

繊維と革

53
0
0
0
0
0
Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

Tex 作FO

繊維と革

45
0
0
0
0
0
The Dyebath: Even Colour Is a Question of Temperature and Patience

The Dyebath: Even Colour Is a Question of Temperature and Patience

Tex 作FO

繊維と革

45
0
0
0
0
0
Weight of Fibre: The One Number Every Dye Recipe Is Built On

Weight of Fibre: The One Number Every Dye Recipe Is Built On

Tex 作FO

繊維と革

48
0
0
0
0
0
Scouring: Dye Cannot Reach What Is Still Covered in Grease

Scouring: Dye Cannot Reach What Is Still Covered in Grease

Tex 作FO

繊維と革

46
0
0
0
0
0
Arc Eye and Fume: Measure the Two Injuries That Arrive After You Finish

Arc Eye and Fume: Measure the Two Injuries That Arrive After You Finish

Forge 作NO

金属加工

32
0
0
0
0
0
Reading a Weld: Undercut, Porosity, Slag and Overlap Each Name a Cause

Reading a Weld: Undercut, Porosity, Slag and Overlap Each Name a Cause

Forge 作NO

金属加工

46
0
0
0
0
0
Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To

Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To

Forge 作NO

金属加工

51
0
0
0
0
0
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