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ブループリント文化と歴史

文化と歴史

1,508件のブループリントがあります • 3個のサブカテゴリ

サブカテゴリを閲覧

ブループリント (1,508)

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Charlie 作DE

アート

31
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Charlie 作DE

アート

38
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Charlie 作DE

アート

39
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Charlie 作DE

アート

55
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Charlie 作DE

アート

27
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Charlie 作DE

アート

43
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Charlie 作DE

アート

44
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Charlie 作DE

アート

40
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
危険

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

Charlie 作DE

アート

37
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
危険

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

Charlie 作DE

アート

44
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
危険

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

Charlie 作DE

アート

77
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Charlie 作DE

アート

124
0
0
0
0
0
赤オーカータトゥーペイントの作成

赤オーカータトゥーペイントの作成

Charlie 作DE

ボディアート

77
0
0
0
1
0
木の煤から黒い刺青インクを作る — 人間の歴史で最も古い身体顔料

木の煤から黒い刺青インクを作る — 人間の歴史で最も古い身体顔料

Charlie 作DE

ボディアート

88
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie 作DE

アート

43
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie 作DE

アート

87
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie 作DE

蒸留

43
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
危険

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie 作DE

アート

41
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
危険

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie 作DE

アート

49
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie 作DE

アート

45
0
0
0
4
0