SANAA
UREMBO NA USTAWI
UJANJA
UTAMADUNI NA HISTORIA
BURUDANI
MAZINGIRA
CHAKULA NA VINYWAJI
UHANDISI WA KINYUME
SAYANSI
MICHEZO
TEKNOLOJIA
VAZI
Rangi ya Rangi
Mipango 73 inapatikana
Miradi (73)
Kutengeneza Nchi ya Tattoo Nyeusi kutoka Moshi wa Kuni — Kichukizi cha Mwili wa Kale Sana katika Historia ya Binadamu
na Charlie
Sanaa ya Mwili
88
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
na Charlie
SANAA
43
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
na Charlie
SANAA
90
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
na Charlie
Kusafisha
43
0
0
0
2
0
Hatari
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
na Charlie
SANAA
41
0
0
0
2
0
Hatari
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
na Charlie
SANAA
49
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
na Charlie
SANAA
49
0
0
0
4
0
Hatari
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
na Charlie
SANAA
58
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
na Charlie
SANAA
36
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
na Charlie
SANAA
28
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
na Charlie
SANAA
42
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
na Charlie
Mnyama
88
0
0
0
3
0
Hatari
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
na Charlie
Kale
74
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
na Charlie
Zama za Kati
98
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
na Charlie
Kale
58
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
na Charlie
Kale
64
0
0
0
9
0
Hatari
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
na Charlie
Kisasa
61
0
0
0
7
0
Hatari
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
na Charlie
Zama za Kati
34
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
na Charlie
Zama za Kati
40
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
na Charlie
Kale
40
0
0
0
2
0