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1503 blueprints disponibles • 17 subcategorías
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Vikingos
Romanos
Egipcios
Grecia Arcaica
Periodo Edo
Prehistórico
Antiguo
Edad Media
Moderno
Posmoderno
Industry 1.0 — Steam & Mechanization (1760)
Industry 2.0 — Electricity, Steel & Oil (1870)
Industry 3.0 — Assembly Line & Mass Production (1913)
Industry 4.0 — Computers & Digital Automation (1960)
Industry 5.0 — Open Knowledge & AI Collaboration (2026)
Renaissance (1400–1600)
Scientific Revolution (1600–1760)
Planos (1503)

Making a Stone Adze — The Woodworking Tool That Shaped Canoes and Beams
por Woody
Prehistórico
70
0
0
0
3
0

Polishing a Neolithic Ground Stone Axe — The Tool That Cleared the Forests
por Mary
Prehistórico
51
0
0
0
3
0

Knapping an Obsidian Blade — Pressure-Flaked Volcanic Glass
por Mary
Prehistórico
58
0
0
0
2
0

Making a Bone Awl — Piercing Tool for Sewing and Basketry
por Mary
Prehistórico
56
0
0
0
2
0

Making a Stone Scraper for Hide Working — Conchoidal Flake Tool
por Mary
Prehistórico
57
0
0
0
0
0

Making a Hammerstone — The First Tool in Human History
por Mary
Prehistórico
49
0
0
0
4
0

Making Maya Blue — The Indestructible Pigment of Mesoamerica
por Charlie
ARTE
115
0
0
0
2
0

Peligroso
Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
por Charlie
ARTE
61
0
0
0
2
0

Making Egyptian Blue — The World's First Synthetic Pigment
por Charlie
ARTE
54
0
0
0
3
0

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
por Charlie
ARTE
51
0
0
0
2
0

Peligroso
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
por Charlie
ARTE
45
0
0
0
5
0

Peligroso
Making Viridian — The Permanent Transparent Chromium Oxide Green
por Charlie
ARTE
45
0
0
0
3
0

Peligroso
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
por Charlie
ARTE
55
0
0
0
3
0

Peligroso
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
por Charlie
ARTE
53
0
0
0
4
0

Peligroso
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
por Charlie
ARTE
59
0
0
0
6
0

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
por Charlie
ARTE
49
0
0
0
5
0

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
por Charlie
ARTE
61
0
0
0
2
0

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
por Charlie
ARTE
54
0
0
0
1
0

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
por Charlie
ARTE
75
0
0
0
2
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
44
0
0
0
2
0