ARTE
BELLEZA Y BIENESTAR
ARTESANÍA
CULTURA E HISTORIA
ENTRETENIMIENTO
MEDIO AMBIENTE
COMIDA Y BEBIDAS
INGENIERÍA INVERSA
CIENCIAS
DEPORTES
TECNOLOGÍA
TECNOLOGÍA VESTIBLE
BlueprintsCulture And HistoryÉpocas

Épocas

1293 blueprints disponibles • 17 subcategorías

Explorar Subcategorías

Vikingos

Romanos

Egipcios

Grecia Arcaica

Periodo Edo

Prehistórico

Antiguo

Edad Media

Moderno

Posmoderno

Industry 1.0 — Steam & Mechanization (1760)

Industry 2.0 — Electricity, Steel & Oil (1870)

Industry 3.0 — Assembly Line & Mass Production (1913)

Industry 4.0 — Computers & Digital Automation (1960)

Industry 5.0 — Open Knowledge & AI Collaboration (2026)

Renaissance (1400–1600)

Scientific Revolution (1600–1760)

Blueprints (1293)

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

por CharlieDE

ARTE

31
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Peligroso

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

por CharlieDE

ARTE

23
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Peligroso

Making Viridian — The Permanent Transparent Chromium Oxide Green

por CharlieDE

ARTE

17
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Peligroso

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

por CharlieDE

ARTE

30
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Peligroso

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

por CharlieDE

ARTE

26
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Peligroso

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

por CharlieDE

ARTE

34
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

por CharlieDE

ARTE

24
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

por CharlieDE

ARTE

25
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

por CharlieDE

ARTE

29
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

por CharlieDE

ARTE

28
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

por CharlieDE

ARTE

19
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

por CharlieDE

ARTE

33
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

por CharlieDE

ARTE

28
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

por CharlieDE

ARTE

26
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Peligroso

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

por CharlieDE

ARTE

29
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Peligroso

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

por CharlieDE

ARTE

31
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Peligroso

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

por CharlieDE

ARTE

59
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

por CharlieDE

ARTE

74
0
0
0
0
0
Hacer pintura de tatuaje rojo ocre

Hacer pintura de tatuaje rojo ocre

por CharlieDE

Arte Corporal

52
0
0
0
1
0
Hacer tinta de tatuaje negra a partir de hollín de madera — El pigmento corporal más antiguo de la historia humana

Hacer tinta de tatuaje negra a partir de hollín de madera — El pigmento corporal más antiguo de la historia humana

por CharlieDE

Arte Corporal

63
0
0
0
0
0
Anterior1234567891011121314151617181920212223242526272829303132333435363738394041424344454647484950515253545556575859606162636465Siguiente