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BlueprintsCulture And HistoryÉpocas

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1293 blueprints disponibles • 17 subcategorías

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Vikingos

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Grecia Arcaica

Periodo Edo

Prehistórico

Antiguo

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Industry 1.0 — Steam & Mechanization (1760)

Industry 2.0 — Electricity, Steel & Oil (1870)

Industry 3.0 — Assembly Line & Mass Production (1913)

Industry 4.0 — Computers & Digital Automation (1960)

Industry 5.0 — Open Knowledge & AI Collaboration (2026)

Renaissance (1400–1600)

Scientific Revolution (1600–1760)

Blueprints (1293)

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

por CharlieDE

ARTE

23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

por CharlieDE

ARTE

57
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

por CharlieDE

Destilación

26
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Peligroso

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

por CharlieDE

ARTE

35
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Peligroso

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

por CharlieDE

ARTE

37
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

por CharlieDE

ARTE

30
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Peligroso

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

por CharlieDE

ARTE

46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

por CharlieDE

ARTE

31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

por CharlieDE

ARTE

21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

por CharlieDE

ARTE

29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

por CharlieDE

Animal

50
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Peligroso

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

por CharlieDE

Antiguo

44
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

por CharlieDE

Edad Media

68
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

por CharlieDE

Antiguo

41
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

por CharlieDE

Antiguo

41
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
Peligroso

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

por CharlieDE

Moderno

42
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Peligroso

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

por CharlieDE

Edad Media

23
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

por CharlieDE

Edad Media

25
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

por CharlieDE

Antiguo

22
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

por CharlieDE

Antiguo

16
0
0
0
3
0
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