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BlueprintSciencesKimiaWarna Pigmen

Warna Pigmen

73 blueprint tersedia

Blueprint (73)

Membuat Tinta Tatu Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia

Membuat Tinta Tatu Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia

oleh CharlieDE

Seni Badan

76
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

oleh CharlieDE

SENI

32
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

oleh CharlieDE

SENI

69
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

oleh CharlieDE

Penyulingan

30
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Berbahaya

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

oleh CharlieDE

SENI

38
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Berbahaya

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

oleh CharlieDE

SENI

41
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

oleh CharlieDE

SENI

36
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Berbahaya

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

oleh CharlieDE

SENI

51
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

oleh CharlieDE

SENI

33
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

oleh CharlieDE

SENI

23
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

oleh CharlieDE

SENI

34
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

oleh CharlieDE

Haiwan

60
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Berbahaya

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

oleh CharlieDE

Purba

60
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

oleh CharlieDE

Zaman Pertengahan

86
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

oleh CharlieDE

Purba

49
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

oleh CharlieDE

Purba

53
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
Berbahaya

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

oleh CharlieDE

Moden

50
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Berbahaya

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

oleh CharlieDE

Zaman Pertengahan

27
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

oleh CharlieDE

Zaman Pertengahan

30
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

oleh CharlieDE

Purba

29
0
0
0
2
0
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