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ART

119 blueprints available • 3 subcategories

Blueprints (119)

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Léwu

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

láti ọwọ́ CharlieDE

ART

37
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

láti ọwọ́ CharlieDE

ART

25
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

láti ọwọ́ CharlieDE

ART

29
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

láti ọwọ́ CharlieDE

ART

30
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

láti ọwọ́ CharlieDE

ART

34
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

láti ọwọ́ CharlieDE

ART

19
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

láti ọwọ́ CharlieDE

ART

35
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

láti ọwọ́ CharlieDE

ART

33
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

láti ọwọ́ CharlieDE

ART

30
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Léwu

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

láti ọwọ́ CharlieDE

ART

29
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Léwu

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

láti ọwọ́ CharlieDE

ART

32
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Léwu

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

láti ọwọ́ CharlieDE

ART

62
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

láti ọwọ́ CharlieDE

ART

93
0
0
0
0
0
Ṣe Àwọ̀ Tattúù Pupa Ochre

Ṣe Àwọ̀ Tattúù Pupa Ochre

láti ọwọ́ CharlieDE

Body Art

54
0
0
0
1
0
Ṣe Aye Tatuu Dudu Lati Eken Igi — Ṣe Atowọ Ara-enia Ti O Jẹja Ni Itan Eniyan

Ṣe Aye Tatuu Dudu Lati Eken Igi — Ṣe Atowọ Ara-enia Ti O Jẹja Ni Itan Eniyan

láti ọwọ́ CharlieDE

Body Art

69
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

láti ọwọ́ CharlieDE

ART

23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

láti ọwọ́ CharlieDE

ART

62
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

láti ọwọ́ CharlieDE

Distilling

28
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Léwu

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

láti ọwọ́ CharlieDE

ART

36
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Léwu

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

láti ọwọ́ CharlieDE

ART

40
0
0
0
2
0