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REVERSE ENGINEERING
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Àwọn Ìtọ́nisọ́nàIṢẸ́ ỌNÀ
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Ìtọ́nisọ́nà 126 wà • Ẹ̀ka kékeré 3
Ṣàwárí Àwọn Ẹ̀ka Kékeré
Àwọn Ìtọ́nisọ́nà (126)
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
láti ọwọ́ Charlie
Ìgbà Àtijọ́
90
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
láti ọwọ́ Charlie
Òde Òní
94
0
0
0
7
0
Léwu
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
65
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
64
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
láti ọwọ́ Charlie
Ìgbà Àtijọ́
67
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
láti ọwọ́ Charlie
Ìgbà Àtijọ́
48
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
láti ọwọ́ Charlie
Ìgbà Àtijọ́
193
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
láti ọwọ́ Charlie
Ṣáájú Ìtàn
75
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
láti ọwọ́ Charlie
Ìgbà Àtijọ́
53
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
67
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
láti ọwọ́ Charlie
Ìgbà Àtijọ́
85
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
láti ọwọ́ Charlie
Ṣáájú Ìtàn
171
0
0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World
láti ọwọ́ Charlie
Ṣáájú Ìtàn
132
0
0
0
2
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
láti ọwọ́ Charlie
Ṣáájú Ìtàn
124
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
95
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters
láti ọwọ́ Charlie
Ìgbà Àtijọ́
95
0
0
0
7
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
láti ọwọ́ Florecita
Iṣẹ́ Àgbẹ̀
47
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
láti ọwọ́ Charlie
Kíkun
151
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium
láti ọwọ́ Charlie
Kíkun
225
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
láti ọwọ́ Charlie
Kíkun
146
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
láti ọwọ́ Charlie
Kíkun
201
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing
láti ọwọ́ Mary
Kíkun
141
0
0
0
8
0
Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy
láti ọwọ́ Tex
Ìkọ̀wé Ẹlẹ́wà
126
0
0
0
0
0
Ìkọ̀wé Ọnà Gọ́tíìkì — Textura Quadrata
láti ọwọ́ Tex
Ìkọ̀wé Ẹlẹ́wà
322
0
0
0
1
0
Ń fi 24 nínú 126 hàn