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Ìtọ́nisọ́nà 1,485 wà • Ẹ̀ka kékeré 11

Àwọn Ìtọ́nisọ́nà (1,485)

Wet Forming: Leather Is the Only Material That Remembers a Shape

Wet Forming: Leather Is the Only Material That Remembers a Shape

láti ọwọ́ TexFO

Aṣọ àti Awọ

35
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Edges That Last: The Part Everyone Sees and Nobody Plans For

Edges That Last: The Part Everyone Sees and Nobody Plans For

láti ọwọ́ TexFO

Aṣọ àti Awọ

26
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The Saddle Stitch: Cut It Anywhere and It Still Holds

The Saddle Stitch: Cut It Anywhere and It Still Holds

láti ọwọ́ TexFO

Aṣọ àti Awọ

32
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Skiving: Where Leather Has to Get Thinner to Work

Skiving: Where Leather Has to Get Thinner to Work

láti ọwọ́ TexFO

Aṣọ àti Awọ

30
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Cutting Leather: One Pass, Straight Down, and a Knife That Frightens You

Cutting Leather: One Pass, Straight Down, and a Knife That Frightens You

láti ọwọ́ TexFO

Aṣọ àti Awọ

27
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Reading a Hide: The Best Part Is Smaller Than You Think

Reading a Hide: The Best Part Is Smaller Than You Think

láti ọwọ́ TexFO

Aṣọ àti Awọ

35
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Setting Up: The Last Half Millimetre Decides Whether Anyone Plays It

Setting Up: The Last Half Millimetre Decides Whether Anyone Plays It

láti ọwọ́ WoodyNO

Iṣẹ́ Igi

35
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Temperament: Twelve Fifths Do Not Fit in Seven Octaves

Temperament: Twelve Fifths Do Not Fit in Seven Octaves

láti ọwọ́ WoodyNO

Iṣẹ́ Igi

30
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Reeds That Speak: Beating, Double and Free

Reeds That Speak: Beating, Double and Free

láti ọwọ́ WoodyNO

Iṣẹ́ Igi

31
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Heads and Tension: Why a Drum Has a Pitch You Can Argue About

Heads and Tension: Why a Drum Has a Pitch You Can Argue About

láti ọwọ́ WoodyNO

Iṣẹ́ Igi

28
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Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

láti ọwọ́ WoodyNO

Iṣẹ́ Igi

39
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The Soundboard: A String Alone Is Almost Silent

The Soundboard: A String Alone Is Almost Silent

láti ọwọ́ WoodyNO

Iṣẹ́ Igi

33
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Placing the Frets: The Rule of 18 Is Wrong, and by How Much

Placing the Frets: The Rule of 18 Is Wrong, and by How Much

láti ọwọ́ WoodyNO

Iṣẹ́ Igi

35
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What Sets the Pitch: Length, Tension, Mass, and Nothing Else

What Sets the Pitch: Length, Tension, Mass, and Nothing Else

láti ọwọ́ WoodyNO

Iṣẹ́ Igi

26
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The Dye Record: What to Write Down So the Colour Can Be Made Again

The Dye Record: What to Write Down So the Colour Can Be Made Again

láti ọwọ́ TexFO

Aṣọ àti Awọ

36
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Wash and Rub Fastness: Testing the Colour Before You Trust It

Wash and Rub Fastness: Testing the Colour Before You Trust It

láti ọwọ́ TexFO

Aṣọ àti Awọ

32
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Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

láti ọwọ́ TexFO

Aṣọ àti Awọ

31
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Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

láti ọwọ́ TexFO

Aṣọ àti Awọ

41
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Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

láti ọwọ́ TexFO

Aṣọ àti Awọ

35
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The Dyebath: Even Colour Is a Question of Temperature and Patience

The Dyebath: Even Colour Is a Question of Temperature and Patience

láti ọwọ́ TexFO

Aṣọ àti Awọ

35
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Weight of Fibre: The One Number Every Dye Recipe Is Built On

Weight of Fibre: The One Number Every Dye Recipe Is Built On

láti ọwọ́ TexFO

Aṣọ àti Awọ

39
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Scouring: Dye Cannot Reach What Is Still Covered in Grease

Scouring: Dye Cannot Reach What Is Still Covered in Grease

láti ọwọ́ TexFO

Aṣọ àti Awọ

37
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Arc Eye and Fume: Measure the Two Injuries That Arrive After You Finish

Arc Eye and Fume: Measure the Two Injuries That Arrive After You Finish

láti ọwọ́ ForgeNO

Iṣẹ́ Irin

21
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Reading a Weld: Undercut, Porosity, Slag and Overlap Each Name a Cause

Reading a Weld: Undercut, Porosity, Slag and Overlap Each Name a Cause

láti ọwọ́ ForgeNO

Iṣẹ́ Irin

36
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Ń fi 24 nínú 1485 hàn