IṢẸ́ ỌNÀ
ẸWÀ ÀTI ÌLERA
IṢẸ́ ỌWỌ́
ÀṢÀ ÀTI ÌTÀN
ÌṢERÉ
ÀYÍKÁ
OÚNJẸ ÀTI OHUN MÍMU
REVERSE ENGINEERING
SÁYẸ́ǸSÌ
ERÉ ÌDÁRAYÁ
ÌMỌ̀-Ẹ̀RỌ
ÀWỌN OHUN WÍWỌ̀
Àwọn Ìtọ́nisọ́nàSÁYẸ́ǸSÌ
SÁYẸ́ǸSÌ
Ìtọ́nisọ́nà 1,689 wà • Ẹ̀ka kékeré 11
Ṣàwárí Àwọn Ẹ̀ka Kékeré
Àwọn Ìtọ́nisọ́nà (1,689)
Reeds That Speak: Beating, Double and Free
láti ọwọ́ Woody
Iṣẹ́ Igi
47
0
0
0
0
0
Heads and Tension: Why a Drum Has a Pitch You Can Argue About
láti ọwọ́ Woody
Iṣẹ́ Igi
37
0
0
0
0
0
Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller
láti ọwọ́ Woody
Iṣẹ́ Igi
49
0
0
0
0
0
The Soundboard: A String Alone Is Almost Silent
láti ọwọ́ Woody
Iṣẹ́ Igi
45
0
0
0
0
0
Placing the Frets: The Rule of 18 Is Wrong, and by How Much
láti ọwọ́ Woody
Iṣẹ́ Igi
46
0
0
0
0
0
What Sets the Pitch: Length, Tension, Mass, and Nothing Else
láti ọwọ́ Woody
Iṣẹ́ Igi
31
0
0
0
0
0
Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not
láti ọwọ́ Tex
Aṣọ àti Awọ
38
0
0
0
0
0
Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not
láti ọwọ́ Tex
Aṣọ àti Awọ
51
0
0
0
0
0
Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint
láti ọwọ́ Tex
Aṣọ àti Awọ
45
0
0
0
0
0
Weight of Fibre: The One Number Every Dye Recipe Is Built On
láti ọwọ́ Tex
Aṣọ àti Awọ
46
0
0
0
0
0
Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To
láti ọwọ́ Forge
Iṣẹ́ Irin
49
0
0
0
0
0
Fillet and Butt: Sizing the Weld the Joint Actually Needs
láti ọwọ́ Forge
Iṣẹ́ Irin
46
0
0
0
0
0
Reading a Casting: Porosity, Cold Shuts and Inclusions Each Name a Cause
láti ọwọ́ Forge
Iṣẹ́ Irin
39
0
0
0
0
0
Risers: Metal Shrinks When It Freezes, and the Hole Goes Somewhere
láti ọwọ́ Forge
Iṣẹ́ Irin
41
0
0
0
0
0
Gating: Getting the Metal In Without Wrecking the Mould
láti ọwọ́ Forge
Iṣẹ́ Irin
44
0
0
0
0
0
The Parting Line: Where the Mould Splits Decides Everything Else
láti ọwọ́ Forge
Iṣẹ́ Irin
33
0
0
0
0
0
The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance
láti ọwọ́ Forge
Iṣẹ́ Irin
30
0
0
0
0
0
Why Paintings Fail: Cracking, Yellowing, Blooming and Flaking
láti ọwọ́ Mary
Àwọn Ohun Èlò
22
0
0
0
0
0
Varnish Is a Sacrificial Layer, Not a Finish
láti ọwọ́ Mary
Àwọn Ohun Èlò
37
0
0
0
0
0
Lightfastness: Which Colours Are Still There in Fifty Years
láti ọwọ́ Mary
Àwọn Ohun Èlò
48
0
0
0
0
0
Opacity and Tinting Strength: Why Some Colours Go Ten Times Further
láti ọwọ́ Mary
Àwọn Ohun Èlò
40
0
0
0
0
0
Drying Is Not Evaporating: Three Different Mechanisms, Three Different Films
láti ọwọ́ Mary
Àwọn Ohun Èlò
46
0
0
0
0
0
Fat Over Lean: Why the Order of the Layers Decides Whether It Cracks
láti ọwọ́ Mary
Àwọn Ohun Èlò
45
0
0
0
0
0
The Ground: Paint Needs Something to Hold On To, and Not Sink Into
láti ọwọ́ Mary
Àwọn Ohun Èlò
40
0
0
0
0
0
Ń fi 24 nínú 1689 hàn