कला
सुन्दरता र कल्याण
हस्तकला
संस्कृति र इतिहास
मनोरञ्जन
वातावरण
खाना र पेय
रिभर्स इन्जिनियरिङ
विज्ञान
खेलकुद
प्रविधि
पहिर्न मिल्ने
ब्लुप्रिन्टहरूसंस्कृति र इतिहास

संस्कृति र इतिहास

१,५६१ ब्लुप्रिन्टहरू उपलब्ध • ३ उपश्रेणीहरू

उपश्रेणीहरू हेर्नुहोस्

ब्लुप्रिन्टहरू (१,५६१)

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
खतरनाक

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

Charlie द्वाराDE

कला

१०१
०
०
०
१
०
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Charlie द्वाराDE

कला

१५६
०
०
०
०
०
रातो ओकर ट्याटु पेन्ट बनाउनुहोस्

रातो ओकर ट्याटु पेन्ट बनाउनुहोस्

Charlie द्वाराDE

शरीर कला

१२६
०
०
०
१
०
काठको धुवाँबाट कालो ट्याटु मसी बनाउनुहोस् — मानिसको इतिहासमा सबैभन्दा पुरानो शरीर रंगद्रव्य

काठको धुवाँबाट कालो ट्याटु मसी बनाउनुहोस् — मानिसको इतिहासमा सबैभन्दा पुरानो शरीर रंगद्रव्य

Charlie द्वाराDE

शरीर कला

१३६
०
०
०
०
०
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie द्वाराDE

कला

७४
०
०
०
३
०
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie द्वाराDE

कला

१३९
०
०
०
२
०
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie द्वाराDE

डिस्टिलिङ

६९
०
०
०
२
०
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
खतरनाक

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie द्वाराDE

कला

६५
०
०
०
२
०
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
खतरनाक

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie द्वाराDE

कला

७७
०
०
०
२
०
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie द्वाराDE

कला

७२
०
०
०
४
०
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
खतरनाक

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie द्वाराDE

कला

८९
०
०
०
५
०
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie द्वाराDE

कला

६१
०
०
०
१
०
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie द्वाराDE

कला

५५
०
०
०
१
०
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie द्वाराDE

कला

६१
०
०
०
३
०
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie द्वाराDE

पशु

१४३
०
०
०
३
०
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
खतरनाक

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie द्वाराDE

प्राचीन

१०८
०
०
०
८
०
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie द्वाराDE

मध्य युग

१३४
०
०
०
४
०
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie द्वाराDE

प्राचीन

९०
०
०
०
६
०
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie द्वाराDE

प्राचीन

९०
०
०
०
९
०
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie द्वाराDE

आधुनिक

९३
०
०
०
७
०
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
खतरनाक

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie द्वाराDE

मध्य युग

६४
०
०
०
६
०
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie द्वाराDE

मध्य युग

६४
०
०
०
८
०
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie द्वाराDE

प्राचीन

६७
०
०
०
२
०
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie द्वाराDE

प्राचीन

४८
०
०
०
३
०
1561 मध्ये 24 देखाइँदै