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1,601 blueprint ang available • 17 subkategorya

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Scientific Revolution (1600–1760)

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Mga Blueprint (1,601)

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

ni CharlieDE

SINING

55
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Mapanganib

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

ni CharlieDE

SINING

50
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Mapanganib

Making Viridian — The Permanent Transparent Chromium Oxide Green

ni CharlieDE

SINING

55
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Mapanganib

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

ni CharlieDE

SINING

66
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Mapanganib

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

ni CharlieDE

SINING

59
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Mapanganib

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

ni CharlieDE

SINING

67
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

ni CharlieDE

SINING

57
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

ni CharlieDE

SINING

72
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

ni CharlieDE

SINING

62
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

ni CharlieDE

SINING

96
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

ni CharlieDE

SINING

52
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

ni CharlieDE

SINING

69
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

ni CharlieDE

SINING

82
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

ni CharlieDE

SINING

76
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Mapanganib

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

ni CharlieDE

SINING

56
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Mapanganib

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

ni CharlieDE

SINING

57
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Mapanganib

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

ni CharlieDE

SINING

101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

ni CharlieDE

SINING

165
0
0
0
0
0
Gumawa ng Pulang Ochre Tattoo Paint

Gumawa ng Pulang Ochre Tattoo Paint

ni CharlieDE

Body Art

133
0
0
0
1
0
Gumawa ng Itim na Tattoo Ink mula sa Abo ng Puno — Ang Pinakamatatandang Katawan Pigment sa Kasaysayan ng Tao

Gumawa ng Itim na Tattoo Ink mula sa Abo ng Puno — Ang Pinakamatatandang Katawan Pigment sa Kasaysayan ng Tao

ni CharlieDE

Body Art

138
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

ni CharlieDE

SINING

76
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

ni CharlieDE

SINING

143
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

ni CharlieDE

Pagdidistila

73
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Mapanganib

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

ni CharlieDE

SINING

65
0
0
0
2
0
Ipinapakita ang 24 sa 1601