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Piękno i dobre samopoczucie
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KULTURA I HISTORIA
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PlanyCulture And HistoryEpokiśredniowiecze

średniowiecze

Dostępne plany: 134

Plany (134)

Making Paper from Linen Rags — European Hand Papermaking

Making Paper from Linen Rags — European Hand Papermaking

autor: TexFO

Papiernicze

91
0
0
0
2
0
Making a Glass Bead on a Mandrel — Lampwork Beadmaking

Making a Glass Bead on a Mandrel — Lampwork Beadmaking

autor: ForgeNO

Obróbka szkła

59
0
0
0
0
0
Making Maya Blue — The Indestructible Pigment of Mesoamerica

Making Maya Blue — The Indestructible Pigment of Mesoamerica

autor: CharlieDE

SZTUKA

141
0
0
0
2
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

autor: CharlieDE

SZTUKA

68
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

autor: CharlieDE

SZTUKA

62
0
0
0
1
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

autor: CharlieDE

SZTUKA

66
0
0
0
0
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

autor: CharlieDE

SZTUKA

71
0
0
0
2
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

autor: CharlieDE

SZTUKA

73
0
0
0
3
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

autor: CharlieDE

Destylacja

68
0
0
0
2
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

autor: CharlieDE

średniowiecze

132
0
0
0
4
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Niebezpieczne

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

autor: CharlieDE

średniowiecze

64
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

autor: CharlieDE

średniowiecze

63
0
0
0
8
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

autor: CharlieDE

średniowiecze

67
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

autor: CharlieDE

Starożytny

84
0
0
0
6
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

autor: CharlieDE

średniowiecze

93
0
0
0
6
0
Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

autor: TexFO

Starożytny

84
0
0
0
0
0
Dyeing Red with Brazilwood — The Dyewood That Named a Nation

Dyeing Red with Brazilwood — The Dyewood That Named a Nation

autor: TexFO

Starożytny

50
0
0
0
1
0
Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

autor: TexFO

Starożytny

55
0
0
0
1
0
Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

autor: TexFO

Starożytny

42
0
0
0
1
0
Needle Felting — Sculpting Wool with Barbed Needles

Needle Felting — Sculpting Wool with Barbed Needles

autor: TexFO

średniowiecze

39
0
0
0
0
0
Pięta z oczek zdejmowanych — wzmocniona klapka pięty do ręcznie dzierganych skarpet, które przetrwają

Pięta z oczek zdejmowanych — wzmocniona klapka pięty do ręcznie dzierganych skarpet, które przetrwają

autor: TexFO

średniowiecze

102
0
0
0
0
0
Knitting in the Round on Double-Pointed Needles — Seamless Tubes for Socks, Hats and Mittens

Knitting in the Round on Double-Pointed Needles — Seamless Tubes for Socks, Hats and Mittens

autor: TexFO

średniowiecze

43
0
0
0
2
0
The Purl Stitch and Stockinette Fabric — Knitting's Second Foundation

The Purl Stitch and Stockinette Fabric — Knitting's Second Foundation

autor: TexFO

średniowiecze

45
0
0
0
4
0
Spinning Yarn on a Great Wheel — The Walking Wheel

Spinning Yarn on a Great Wheel — The Walking Wheel

autor: TexFO

średniowiecze

45
0
0
0
3
0
Pokazano 24 z 134