SZTUKA
Piękno i dobre samopoczucie
RZEMIOSŁO
KULTURA I HISTORIA
ROZRYWKA
ŚRODOWISKO
JEDZENIE I NAPOJE
INŻYNIERIA ODWROTNA
NAUKI
LEKKOATLETYKA
TECHNOLOGIA
URZĄDZENIA DO NOSZENIA
Kolor pigmentu
Dostępne plany: 73
Plany (73)
Robienie czarnego tuszu tatuażu ze smółki drewna — najstarszy pigment ciała w historii ludzkości
autor: Charlie
Sztuka Ciała
68
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
autor: Charlie
SZTUKA
23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
autor: Charlie
SZTUKA
60
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
autor: Charlie
Destylacja
27
0
0
0
2
0
Niebezpieczne
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
autor: Charlie
SZTUKA
36
0
0
0
2
0
Niebezpieczne
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
autor: Charlie
SZTUKA
40
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
autor: Charlie
SZTUKA
30
0
0
0
4
0
Niebezpieczne
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
autor: Charlie
SZTUKA
47
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
autor: Charlie
SZTUKA
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
autor: Charlie
SZTUKA
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
autor: Charlie
SZTUKA
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
autor: Charlie
Zwierzę
52
0
0
0
3
0
Niebezpieczne
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
autor: Charlie
Starożytny
47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
autor: Charlie
średniowiecze
69
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
autor: Charlie
Starożytny
43
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
autor: Charlie
Starożytny
43
0
0
0
9
0
Niebezpieczne
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
autor: Charlie
Nowoczesny
45
0
0
0
7
0
Niebezpieczne
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
autor: Charlie
średniowiecze
24
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
autor: Charlie
średniowiecze
27
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
autor: Charlie
Starożytny
23
0
0
0
2
0