SZTUKA
Piękno i dobre samopoczucie
RZEMIOSŁO
KULTURA I HISTORIA
ROZRYWKA
ŚRODOWISKO
JEDZENIE I NAPOJE
INŻYNIERIA ODWROTNA
NAUKI
LEKKOATLETYKA
TECHNOLOGIA
URZĄDZENIA DO NOSZENIA
Chemia
Dostępne plany: 219 • Podkategorie: 22
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Plany (219)
Niebezpieczne
Making Cerulean Blue — The Sky Blue Pigment of the Impressionists
autor: Charlie
Chemia
27
0
0
0
5
0
Niebezpieczne
Making Cobalt Green (Rinmann's Green) — The Cobalt Zinc Oxide Pigment of Swedish Chemistry
autor: Charlie
Chemia
24
0
0
0
5
0
Niebezpieczne
Making Scheele's Green — The Copper Arsenite Pigment That Poisoned the 19th Century
autor: Charlie
Chemia
38
0
0
0
4
0
Making Maya Blue — The Indestructible Pigment of Mesoamerica
autor: Charlie
SZTUKA
50
0
0
0
2
0
Niebezpieczne
Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
autor: Charlie
SZTUKA
37
0
0
0
2
0
Making Egyptian Blue — The World's First Synthetic Pigment
autor: Charlie
SZTUKA
28
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
autor: Charlie
SZTUKA
32
0
0
0
2
0
Niebezpieczne
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
autor: Charlie
SZTUKA
23
0
0
0
5
0
Niebezpieczne
Making Viridian — The Permanent Transparent Chromium Oxide Green
autor: Charlie
SZTUKA
18
0
0
0
3
0
Niebezpieczne
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
autor: Charlie
SZTUKA
31
0
0
0
3
0
Niebezpieczne
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
autor: Charlie
SZTUKA
26
0
0
0
4
0
Niebezpieczne
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
autor: Charlie
SZTUKA
36
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
autor: Charlie
SZTUKA
24
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
autor: Charlie
SZTUKA
25
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
autor: Charlie
SZTUKA
29
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
autor: Charlie
SZTUKA
28
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
autor: Charlie
SZTUKA
19
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
autor: Charlie
SZTUKA
33
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
autor: Charlie
SZTUKA
32
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
autor: Charlie
SZTUKA
28
0
0
0
2
0