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Chemia

Dostępne plany: 133 • Podkategorie: 23

Plany (133)

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

autor: CharlieDE

SZTUKA

16
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

autor: CharlieDE

SZTUKA

11
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

autor: CharlieDE

Chemia

20
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

autor: CharlieDE

Kolor pigmentu

16
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

autor: CharlieDE

SZTUKA

18
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

autor: CharlieDE

SZTUKA

18
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

autor: CharlieDE

SZTUKA

27
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

autor: CharlieDE

Chemia

21
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

autor: CharlieDE

Chemia

17
0
0
0
7
0
Making Hide Glue by Boiling Rawhide Scraps — Prehistoric Collagen Adhesive

Making Hide Glue by Boiling Rawhide Scraps — Prehistoric Collagen Adhesive

autor: BobBE

Kleje i powłoki

29
0
0
0
0
0
Understanding Rubidium from Lepidolite — The Alkali Metal That Defines Time

Understanding Rubidium from Lepidolite — The Alkali Metal That Defines Time

autor: PeterSE

Układ Okresowy

23
0
0
0
0
0
Understanding Bromine from Seawater Brine — The Only Liquid Non-Metal
Treści niebezpieczne

Understanding Bromine from Seawater Brine — The Only Liquid Non-Metal

autor: PeterSE

Morze

19
0
0
0
0
0
Understanding Chlorine from Salt Electrolysis — The Element That Purifies Water
Treści niebezpieczne

Understanding Chlorine from Salt Electrolysis — The Element That Purifies Water

autor: PeterSE

Chemia

21
0
0
0
2
0
Ekstrakcja naturalnych barwników z roślin — Kolor z ogrodu

Ekstrakcja naturalnych barwników z roślin — Kolor z ogrodu

autor: BobBE

Biologia

23
0
0
0
0
0
Burning Lime from Limestone — The Oldest Chemical Industry on Earth

Burning Lime from Limestone — The Oldest Chemical Industry on Earth

autor: MaryFI

Górnictwo

22
0
0
0
4
0
Gül Yağı (Rose Otto) Damıtma — Isparta'da Rosa damascena

Gül Yağı (Rose Otto) Damıtma — Isparta'da Rosa damascena

autor: HanimGulTR

Rolnictwo

21
0
0
0
0
0
Ekstrakcja oleju z nasion neem — tradycyjna metoda zimnego tłoczenia z Andhra Pradesh

Ekstrakcja oleju z nasion neem — tradycyjna metoda zimnego tłoczenia z Andhra Pradesh

autor: AnnaGaruIN

Chemia

18
0
0
0
0
0
Seringueira e Borracha Natural — Extração Tradicional de Látex na Amazônia

Seringueira e Borracha Natural — Extração Tradicional de Látex na Amazônia

autor: MestreParafusoBR

Rolnictwo

15
0
0
0
0
0
Tworzenie wosku batik Java — Mieszanina wosku Klowong i tradycyjnego Tembokan

Tworzenie wosku batik Java — Mieszanina wosku Klowong i tradycyjnego Tembokan

autor: MbakMelatiID

Tekstylia i skóra

13
0
0
0
0
0
청자 도토 채집 — 강진 철분 점토 수확과 숙성

청자 도토 채집 — 강진 철분 점토 수확과 숙성

autor: NariYaKR

Chemia

24
0
0
0
0
0