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PlanyNAUKI
NAUKI
Dostępne plany: 1546 • Podkategorie: 11
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Plany (1546)
Temperament: Twelve Fifths Do Not Fit in Seven Octaves
autor: Woody
Obróbka drewna
28
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Reeds That Speak: Beating, Double and Free
autor: Woody
Obróbka drewna
23
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0
0
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Heads and Tension: Why a Drum Has a Pitch You Can Argue About
autor: Woody
Obróbka drewna
27
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0
0
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Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller
autor: Woody
Obróbka drewna
29
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0
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0
The Soundboard: A String Alone Is Almost Silent
autor: Woody
Obróbka drewna
26
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0
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Placing the Frets: The Rule of 18 Is Wrong, and by How Much
autor: Woody
Obróbka drewna
28
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What Sets the Pitch: Length, Tension, Mass, and Nothing Else
autor: Woody
Obróbka drewna
24
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0
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0
Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not
autor: Tex
Tekstylia i skóra
21
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0
0
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0
Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not
autor: Tex
Tekstylia i skóra
30
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0
0
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Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint
autor: Tex
Tekstylia i skóra
26
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0
0
0
0
Weight of Fibre: The One Number Every Dye Recipe Is Built On
autor: Tex
Tekstylia i skóra
30
0
0
0
0
0
Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To
autor: Forge
Obróbka metali
32
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0
0
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Fillet and Butt: Sizing the Weld the Joint Actually Needs
autor: Forge
Obróbka metali
30
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Reading a Casting: Porosity, Cold Shuts and Inclusions Each Name a Cause
autor: Forge
Obróbka metali
27
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0
0
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Risers: Metal Shrinks When It Freezes, and the Hole Goes Somewhere
autor: Forge
Obróbka metali
26
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0
0
0
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Gating: Getting the Metal In Without Wrecking the Mould
autor: Forge
Obróbka metali
28
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0
0
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The Parting Line: Where the Mould Splits Decides Everything Else
autor: Forge
Obróbka metali
22
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0
0
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The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance
autor: Forge
Obróbka metali
17
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0
0
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Why Paintings Fail: Cracking, Yellowing, Blooming and Flaking
autor: Mary
Przybory
15
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0
0
0
0
Varnish Is a Sacrificial Layer, Not a Finish
autor: Mary
Przybory
27
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0
0
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Lightfastness: Which Colours Are Still There in Fifty Years
autor: Mary
Przybory
26
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0
0
0
0
Opacity and Tinting Strength: Why Some Colours Go Ten Times Further
autor: Mary
Przybory
27
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0
0
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0
Drying Is Not Evaporating: Three Different Mechanisms, Three Different Films
autor: Mary
Przybory
30
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0
0
0
0
Fat Over Lean: Why the Order of the Layers Decides Whether It Cracks
autor: Mary
Przybory
22
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0
0
0
0
Pokazano 24 z 1546