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PlanyNAUKI
NAUKI
Dostępne plany: 569 • Podkategorie: 11
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Plany (569)
Niebezpieczne
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
autor: Charlie
SZTUKA
46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
autor: Charlie
SZTUKA
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
autor: Charlie
SZTUKA
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
autor: Charlie
SZTUKA
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
autor: Charlie
Zwierzę
52
0
0
0
3
0
Niebezpieczne
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
autor: Charlie
Starożytny
47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
autor: Charlie
średniowiecze
69
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
autor: Charlie
Starożytny
43
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
autor: Charlie
Starożytny
43
0
0
0
9
0
Niebezpieczne
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
autor: Charlie
Nowoczesny
45
0
0
0
7
0
Niebezpieczne
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
autor: Charlie
średniowiecze
23
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
autor: Charlie
średniowiecze
27
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
autor: Charlie
Starożytny
23
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
autor: Charlie
Starożytny
18
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
autor: Charlie
Prehistoryczny
41
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
autor: Charlie
Starożytny
28
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
autor: Charlie
Starożytny
35
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
autor: Charlie
Prehistoryczny
69
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
autor: Charlie
Prehistoryczny
51
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
autor: Charlie
średniowiecze
38
0
0
0
6
0