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BlueprintsCulture And HistoryÉpoquesPréhistorique

Préhistorique

205 blueprints disponibles

Blueprints (205)

Fabriquer de l'encre de tatouage noire à partir de suie de bois — Le plus ancien pigment corporel de l'histoire humaine

Fabriquer de l'encre de tatouage noire à partir de suie de bois — Le plus ancien pigment corporel de l'histoire humaine

par CharlieDE

Préhistorique

18
0
0
0
0
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

par CharlieDE

Peinture

10
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

par CharlieDE

Couleur Pigment

13
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

par CharlieDE

Chimie

20
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

par CharlieDE

Chimie

18
0
0
0
5
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

par CharlieDE

ART

15
0
0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World
Contenu dangereux

Making Lime Wash — The Oldest and Simplest Wall Paint in the World

par CharlieDE

Arts Décoratifs

18
0
0
0
2
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

par CharlieDE

ART

26
0
0
0
7
0
Dyeing Golden-Brown with Wattle Bark — The Australian Acacia Tannin Dye

Dyeing Golden-Brown with Wattle Bark — The Australian Acacia Tannin Dye

par TexFO

Préhistorique

18
0
0
0
2
0
Dyeing Purple-Grey with Blackberries — The Hedgerow Dye of Prehistoric Europe

Dyeing Purple-Grey with Blackberries — The Hedgerow Dye of Prehistoric Europe

par TexFO

Préhistorique

15
0
0
0
1
0
Dyeing Tan to Rust with Eucalyptus — The Australian Bark Dye

Dyeing Tan to Rust with Eucalyptus — The Australian Bark Dye

par TexFO

Teinture et Coloration

27
0
0
0
1
0
Dyeing Blue with Japanese Indigo — The Fresh-Leaf Salt-Rub Method

Dyeing Blue with Japanese Indigo — The Fresh-Leaf Salt-Rub Method

par TexFO

Ancien

19
0
0
0
2
0
Dyeing Pink with Avocado — The Surprising Blush from Pits and Skins

Dyeing Pink with Avocado — The Surprising Blush from Pits and Skins

par TexFO

Textile et Cuir

15
0
0
0
1
0
Dyeing Brown with Acorns — The Universal Tannin Dye of the Ancient World

Dyeing Brown with Acorns — The Universal Tannin Dye of the Ancient World

par TexFO

Préhistorique

15
0
0
0
1
0
Dyeing Brown-Black with Alder Bark — The Northern European Dark Dye

Dyeing Brown-Black with Alder Bark — The Northern European Dark Dye

par TexFO

Teintures et Pigments

11
0
0
0
2
0
Dyeing Red with Lady's Bedstraw — The Wild Madder of Northern Europe

Dyeing Red with Lady's Bedstraw — The Wild Madder of Northern Europe

par TexFO

Teinture et Coloration

12
0
0
0
1
0
Dyeing Blue with Natural Indigo — The Tropical Vat Dye That Coloured Civilisation

Dyeing Blue with Natural Indigo — The Tropical Vat Dye That Coloured Civilisation

par TexFO

Teintures et Pigments

24
0
0
0
2
0
Dyeing Turkey Red with Madder — The Most Important Red Dye in Human History

Dyeing Turkey Red with Madder — The Most Important Red Dye in Human History

par TexFO

Textile et Cuir

21
0
0
0
2
0
Dyeing Yellow with Yarrow — The Ancient Wound-Herb of Every Meadow

Dyeing Yellow with Yarrow — The Ancient Wound-Herb of Every Meadow

par TexFO

Teintures et Pigments

34
0
0
0
1
0
Dyeing Red-Orange with Bloodroot — The Sacred Dye of Pre-Columbian America
Contenu dangereux

Dyeing Red-Orange with Bloodroot — The Sacred Dye of Pre-Columbian America

par TexFO

Teintures et Pigments

14
0
0
0
1
0
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