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Ancient

192 blueprints available

Blueprints (192)

Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
Hazardous content

Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment

by CharlieDE

Ancient

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Making Egyptian Blue — The World's First Synthetic Pigment
Hazardous content

Making Egyptian Blue — The World's First Synthetic Pigment

by CharlieDE

Pigment Color

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3
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Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
Hazardous content

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

by CharlieDE

Chemistry

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Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

by CharlieDE

Ancient

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Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

by CharlieDE

Pigment Color

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Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Hazardous content

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

by CharlieDE

Pigment Color

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4
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Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Hazardous content

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

by CharlieDE

Ancient

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Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Hazardous content

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

by CharlieDE

Ancient

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Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

by CharlieDE

Painting

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Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

by CharlieDE

Pigment Color

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Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

by CharlieDE

Painting

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Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

by CharlieDE

Ancient

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Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

by CharlieDE

Ancient

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Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

by CharlieDE

Painting

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Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Hazardous content

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

by CharlieDE

Pigment Color

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8
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Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

by CharlieDE

ART

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Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

by CharlieDE

ART

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9
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Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

by CharlieDE

Chemistry

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Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

by CharlieDE

Decorative Arts

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Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

by CharlieDE

Decorative Arts

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