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BlueprintsCULTURE & HISTORY
CULTURE & HISTORY
1,508 blueprints available • 3 subcategories
Browse Subcategories
Blueprints (1,508)
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
by Charlie
ART
49
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
by Charlie
ART
62
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
by Charlie
ART
55
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
by Charlie
ART
77
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
by Charlie
ART
45
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
by Charlie
ART
56
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
by Charlie
ART
70
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
by Charlie
ART
65
0
0
0
2
0
Hazardous
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
by Charlie
ART
52
0
0
0
4
0
Hazardous
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
by Charlie
ART
52
0
0
0
0
0
Hazardous
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
by Charlie
ART
89
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
by Charlie
ART
145
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures
by Charlie
Body Art
100
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History
by Charlie
Body Art
109
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
by Charlie
ART
61
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
by Charlie
ART
118
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
by Charlie
Distilling
55
0
0
0
2
0
Hazardous
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
by Charlie
ART
60
0
0
0
2
0
Hazardous
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
by Charlie
ART
65
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
by Charlie
ART
65
0
0
0
4
0