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Artes Decorativas
77 blueprints disponíveis • 14 subcategorias
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Plantas (77)
Patchwork Quilt Block
por Tex
Patchwork
35
0
0
0
0
0
Quilling Paper Filigree
por Tex
Quilling
50
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0
0
0
0
Decoupage
por YourGrandma
Decoupage
40
0
0
0
0
0
Perigoso
Making a Daguerreotype — The First Practical Photograph, Drawn in Silver and Mercury
por Legolas
Fotografia
46
0
0
0
0
0
Criar modelos 3D com o Claude AI e o Blender — da conversa ao ficheiro .blend
por Pixel
3D Models & Files
488
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0
0
0
0
Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing
por Emma
Romanos
48
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0
0
0
0
Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon
por Emma
Romanos
75
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0
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Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish
por Charlie
Mosaico
53
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0
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Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark
por Woody
CULTURA E HISTÓRIA
61
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0
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Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
por Charlie
ARTE
53
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
por Charlie
ARTE
57
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
por Charlie
ARTE
68
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0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
por Charlie
ARTE
62
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0
0
1
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Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
51
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0
0
2
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Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
ARTE
66
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0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
ARTE
77
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0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
ARTE
154
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0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
ARTE
73
0
0
0
3
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Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
ARTE
134
0
0
0
2
0
Perigoso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
65
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0
0
2
0
Perigoso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
ARTE
75
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
por Charlie
ARTE
71
0
0
0
4
0
Perigoso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
ARTE
87
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
ARTE
60
0
0
0
1
0
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