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Reading a Hide: The Best Part Is Smaller Than You Think
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The Dye Record: What to Write Down So the Colour Can Be Made Again
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Wash and Rub Fastness: Testing the Colour Before You Trust It
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Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not
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Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not
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Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint
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The Dyebath: Even Colour Is a Question of Temperature and Patience
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Weight of Fibre: The One Number Every Dye Recipe Is Built On
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Scouring: Dye Cannot Reach What Is Still Covered in Grease
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Order of Work: Why a Garment Is Assembled in a Particular Sequence
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Fitting: Read the Wrinkles, Because They Point at the Problem
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Interfacing: Where Cloth Has to Stop Behaving Like Cloth
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Pressing Is Not Ironing: Lift, Place, Press — and It Is Half the Construction
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Ease: A Garment Is Bigger Than the Body, and by How Much Is a Decision
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Laying Out and Cutting: Two Layers, One Way Up, and Cut Once
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Seam Allowance: One Number, Everywhere, or Nothing Fits
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The Grain of Cloth: Three Directions, Three Different Materials
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Unpicking: A Normal Step, Not an Admission of Failure
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Why Hand Seams Outlive Machine Ones — And When They Do Not
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Four Stitches Do Almost Everything: Running, Back, Whip and Slip
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Sewing On a Button So It Stays On: The Shank Is the Whole Trick
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Needle and Thread: Getting Started Without Fighting the Tools
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Making a Seam: Pin, Tack, Sew, Press — In That Order
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Hems and Raw Edges: Everything Frays Unless You Stop It
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