ARTE
BELEZA E BEM-ESTAR
ARTESANATO
CULTURA E HISTÓRIA
ENTRETENIMENTO
MEIO AMBIENTE
COMIDA E BEBIDAS
ENGENHARIA REVERSA
CIÊNCIAS
ESPORTES
TECNOLOGIA
TECNOLOGIA VESTÍVEL
Eras
1.504 blueprints disponíveis • 17 subcategorias
Explorar Subcategorias
Vikings
Romanos
Egípcios
Grécia Arcaica
Período Edo
Pré-histórico
Antigo
Idade Média
Moderno
Pós-Moderno
Industry 1.0 — Steam & Mechanization (1760)
Industry 2.0 — Electricity, Steel & Oil (1870)
Industry 3.0 — Assembly Line & Mass Production (1913)
Industry 4.0 — Computers & Digital Automation (1960)
Industry 5.0 — Open Knowledge & AI Collaboration (2026)
Renaissance (1400–1600)
Scientific Revolution (1600–1760)
Plantas (1.504)
Perigoso
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
por Charlie
ARTE
50
0
0
0
5
0
Perigoso
Making Viridian — The Permanent Transparent Chromium Oxide Green
por Charlie
ARTE
48
0
0
0
3
0
Perigoso
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
por Charlie
ARTE
62
0
0
0
3
0
Perigoso
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
por Charlie
ARTE
57
0
0
0
4
0
Perigoso
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
por Charlie
ARTE
64
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
por Charlie
ARTE
57
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
por Charlie
ARTE
68
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
por Charlie
ARTE
62
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
por Charlie
ARTE
90
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
51
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
ARTE
66
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
ARTE
77
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
por Charlie
ARTE
71
0
0
0
2
0
Perigoso
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
por Charlie
ARTE
54
0
0
0
4
0
Perigoso
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
por Charlie
ARTE
55
0
0
0
0
0
Perigoso
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
por Charlie
ARTE
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
ARTE
156
0
0
0
0
0
Fazer Tinta de Tatuagem com Ocre Vermelho
por Charlie
Arte Corporal
125
0
0
0
1
0
Fazendo Tinta de Tatuagem Preta a partir de Fuligem de Madeira — O Pigmento Corporal Mais Antigo da História Humana
por Charlie
Arte Corporal
135
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
ARTE
73
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
ARTE
135
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
por Charlie
Destilação
68
0
0
0
2
0
Perigoso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
65
0
0
0
2
0
Perigoso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
ARTE
75
0
0
0
2
0
Mostrando 24 de 1504