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Cor Pigmento
76 blueprints disponíveis
Plantas (76)
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
por Charlie
ARTE
53
0
0
0
2
0
Perigoso
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
por Charlie
ARTE
49
0
0
0
5
0
Perigoso
Making Viridian — The Permanent Transparent Chromium Oxide Green
por Charlie
ARTE
48
0
0
0
3
0
Perigoso
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
por Charlie
ARTE
62
0
0
0
3
0
Perigoso
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
por Charlie
ARTE
57
0
0
0
4
0
Perigoso
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
por Charlie
ARTE
64
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
por Charlie
ARTE
57
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
por Charlie
ARTE
68
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
por Charlie
ARTE
62
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
por Charlie
ARTE
89
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
51
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
ARTE
66
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
ARTE
77
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
por Charlie
ARTE
71
0
0
0
2
0
Perigoso
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
por Charlie
ARTE
54
0
0
0
4
0
Perigoso
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
por Charlie
ARTE
55
0
0
0
0
0
Perigoso
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
por Charlie
ARTE
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
ARTE
154
0
0
0
0
0
Fazer Tinta de Tatuagem com Ocre Vermelho
por Charlie
Arte Corporal
125
0
0
0
1
0
Fazendo Tinta de Tatuagem Preta a partir de Fuligem de Madeira — O Pigmento Corporal Mais Antigo da História Humana
por Charlie
Arte Corporal
133
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
ARTE
73
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
ARTE
134
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
por Charlie
Destilação
66
0
0
0
2
0
Perigoso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
65
0
0
0
2
0
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