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Cor Pigmento

73 blueprints disponíveis

Blueprints (73)

Making Egyptian Blue — The World's First Synthetic Pigment

Making Egyptian Blue — The World's First Synthetic Pigment

por CharlieDE

ARTE

28
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

por CharlieDE

ARTE

32
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Perigoso

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

por CharlieDE

ARTE

23
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Perigoso

Making Viridian — The Permanent Transparent Chromium Oxide Green

por CharlieDE

ARTE

18
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Perigoso

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

por CharlieDE

ARTE

31
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Perigoso

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

por CharlieDE

ARTE

26
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Perigoso

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

por CharlieDE

ARTE

35
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

por CharlieDE

ARTE

24
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

por CharlieDE

ARTE

25
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

por CharlieDE

ARTE

29
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

por CharlieDE

ARTE

28
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

por CharlieDE

ARTE

19
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

por CharlieDE

ARTE

33
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

por CharlieDE

ARTE

30
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

por CharlieDE

ARTE

28
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Perigoso

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

por CharlieDE

ARTE

29
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Perigoso

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

por CharlieDE

ARTE

31
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Perigoso

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

por CharlieDE

ARTE

60
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

por CharlieDE

ARTE

77
0
0
0
0
0
Fazer Tinta de Tatuagem com Ocre Vermelho

Fazer Tinta de Tatuagem com Ocre Vermelho

por CharlieDE

Arte Corporal

53
0
0
0
1
0