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416 blueprints disponíveis • 22 subcategorias
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Plantas (416)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
51
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
ARTE
66
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
ARTE
77
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
por Charlie
ARTE
71
0
0
0
2
0
Perigoso
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
por Charlie
ARTE
54
0
0
0
4
0
Perigoso
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
por Charlie
ARTE
55
0
0
0
0
0
Perigoso
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
por Charlie
ARTE
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
ARTE
154
0
0
0
0
0
Fazer Tinta de Tatuagem com Ocre Vermelho
por Charlie
Arte Corporal
125
0
0
0
1
0
Fazendo Tinta de Tatuagem Preta a partir de Fuligem de Madeira — O Pigmento Corporal Mais Antigo da História Humana
por Charlie
Arte Corporal
133
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
ARTE
73
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
ARTE
134
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
por Charlie
Destilação
67
0
0
0
2
0
Perigoso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
65
0
0
0
2
0
Perigoso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
ARTE
75
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
por Charlie
ARTE
71
0
0
0
4
0
Perigoso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
ARTE
87
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
ARTE
60
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
por Charlie
ARTE
54
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
por Charlie
ARTE
59
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
por Charlie
Animal
140
0
0
0
3
0
Perigoso
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
por Charlie
Antigo
108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
por Charlie
Idade Média
131
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
por Charlie
Antigo
89
0
0
0
6
0
Mostrando 24 de 416