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ARTE

90 blueprints disponibles • 3 subcategorías

Blueprints (90)

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Contenido peligroso

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

por CharlieDE

Antiguo

15
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Contenido peligroso

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

por CharlieDE

ARTE

23
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Contenido peligroso

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

por CharlieDE

ARTE

41
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

por CharlieDE

Color Pigmento

30
0
0
0
0
0
Hacer pintura de tatuaje rojo ocre

Hacer pintura de tatuaje rojo ocre

por CharlieDE

Arte Corporal

19
0
0
0
1
0
Hacer tinta de tatuaje negra a partir de hollín de madera — El pigmento corporal más antiguo de la historia humana

Hacer tinta de tatuaje negra a partir de hollín de madera — El pigmento corporal más antiguo de la historia humana

por CharlieDE

Tatuaje

26
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

por CharlieDE

Edad Media

9
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

por CharlieDE

Pintura

33
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

por CharlieDE

Edad Media

19
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

por CharlieDE

ARTE

22
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

por CharlieDE

Pintura

23
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

por CharlieDE

Antiguo

21
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

por CharlieDE

ARTE

28
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

por CharlieDE

Color Pigmento

21
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

por CharlieDE

Color Pigmento

13
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

por CharlieDE

Color Pigmento

14
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

por CharlieDE

Color Pigmento

28
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Contenido peligroso

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

por CharlieDE

ARTE

22
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

por CharlieDE

Edad Media

12
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

por CharlieDE

ARTE

26
0
0
0
6
0