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FEGURÐ OG VELLÍÐAN
HANDVERK
MENNING OG SAGA
SKEMMTUN
UMHVERFI
MATUR OG DRYKKUR
ÖFUGVERKFRÆÐI
VÍSINDI
ÍÞRÓTTIR
TÆKNI
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TeikningarMENNING OG SAGA

MENNING OG SAGA

1.295 teikningar tiltækar • 3 undirflokkar

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Teikningar (1.295)

Gerðu rauðan jarðlita kraumulit

Gerðu rauðan jarðlita kraumulit

eftir CharlieDE

Líkamalist

51
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1
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Gera svart tatúeringu blek frá trjóberkum — Elsta líkamabletill mannkynssögu

Gera svart tatúeringu blek frá trjóberkum — Elsta líkamabletill mannkynssögu

eftir CharlieDE

Líkamalist

63
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0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

eftir CharlieDE

LIST

23
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0
0
3
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Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

eftir CharlieDE

LIST

57
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0
0
2
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Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

eftir CharlieDE

Eimingarvinnsla

26
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0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Hættulegt

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

eftir CharlieDE

LIST

35
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0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Hættulegt

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

eftir CharlieDE

LIST

37
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0
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2
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Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

eftir CharlieDE

LIST

30
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0
0
4
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Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Hættulegt

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

eftir CharlieDE

LIST

46
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5
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Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

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LIST

31
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0
0
1
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Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

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LIST

21
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0
0
1
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Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

eftir CharlieDE

LIST

29
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2
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Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

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Dýr

50
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3
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Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Hættulegt

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

eftir CharlieDE

Forn

44
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0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

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Miðaldir

68
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0
0
4
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Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

eftir CharlieDE

Forn

41
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0
0
6
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Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

eftir CharlieDE

Forn

41
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0
0
9
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Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
Hættulegt

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

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Nútíma

42
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0
7
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Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Hættulegt

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

eftir CharlieDE

Miðaldir

22
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0
0
6
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Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

eftir CharlieDE

Miðaldir

25
0
0
0
8
0
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