SANAA
UREMBO NA USTAWI
UJANJA
UTAMADUNI NA HISTORIA
BURUDANI
MAZINGIRA
CHAKULA NA VINYWAJI
UHANDISI WA KINYUME
SAYANSI
MICHEZO
TEKNOLOJIA
VAZI
Uchoraji
Mipango 35 inapatikana
Miradi (35)
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
na Charlie
SANAA
40
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
na Charlie
SANAA
31
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
na Charlie
SANAA
41
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
na Charlie
SANAA
39
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
na Charlie
SANAA
27
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
na Charlie
SANAA
44
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
na Charlie
SANAA
44
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
na Charlie
SANAA
124
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
na Charlie
SANAA
43
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
na Charlie
SANAA
90
0
0
0
2
0
Hatari
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
na Charlie
SANAA
41
0
0
0
2
0
Hatari
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
na Charlie
SANAA
49
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
na Charlie
SANAA
49
0
0
0
4
0
Hatari
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
na Charlie
SANAA
58
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
na Charlie
SANAA
36
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
na Charlie
SANAA
28
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
na Charlie
SANAA
42
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
na Charlie
Mnyama
88
0
0
0
3
0
Hatari
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
na Charlie
Kale
74
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
na Charlie
Zama za Kati
98
0
0
0
4
0