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BlueprintCulture And HistoryEra

Era

2,373 blueprint tersedia • 17 subkategori

Layari Subkategori

Scientific Revolution (1600–1760)

Industry 5.0 — Open Knowledge & AI Collaboration (2026)

Renaissance (1400–1600)

Industry 4.0 — Computers & Digital Automation (1960)

Industry 3.0 — Assembly Line & Mass Production (1913)

Industry 2.0 — Electricity, Steel & Oil (1870)

Industry 1.0 — Steam & Mechanization (1760)

Pascamoden

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Blueprint (2,373)

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

oleh CharlieDE

SENI

86
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

oleh CharlieDE

SENI

176
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

oleh CharlieDE

Penyulingan

94
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Berbahaya

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

oleh CharlieDE

SENI

82
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Berbahaya

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

oleh CharlieDE

SENI

84
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

oleh CharlieDE

SENI

90
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Berbahaya

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

oleh CharlieDE

SENI

107
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

oleh CharlieDE

SENI

79
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

oleh CharlieDE

SENI

67
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

oleh CharlieDE

SENI

85
0
0
0
3
0
Membuat Pigmen Hitam Tulang — Pengkalsinan Tulang Haiwan kepada Warna Hitam Hangat Pelukis Tua Agung

Membuat Pigmen Hitam Tulang — Pengkalsinan Tulang Haiwan kepada Warna Hitam Hangat Pelukis Tua Agung

oleh CharlieDE

Haiwan

182
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Berbahaya

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

oleh CharlieDE

Purba

139
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

oleh CharlieDE

Zaman Pertengahan

164
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

oleh CharlieDE

Purba

112
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

oleh CharlieDE

Purba

118
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

oleh CharlieDE

Moden

121
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Berbahaya

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

oleh CharlieDE

Zaman Pertengahan

72
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

oleh CharlieDE

Zaman Pertengahan

94
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

oleh CharlieDE

Purba

79
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

oleh CharlieDE

Purba

72
0
0
0
3
0
Membuat Cat Kasein daripada Susu dan Kapur — Cat Dinding Berasaskan Protein Purba

Membuat Cat Kasein daripada Susu dan Kapur — Cat Dinding Berasaskan Protein Purba

oleh CharlieDE

Purba

270
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

oleh CharlieDE

Prasejarah

109
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

oleh CharlieDE

Purba

66
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

oleh CharlieDE

Zaman Pertengahan

84
0
0
0
4
0
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