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ÀWỌN OHUN WÍWỌ̀
Kíkun
Ìtọ́nisọ́nà 37 wà
Àwọn Ìtọ́nisọ́nà (37)
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
láti ọwọ́ Charlie
Òde Òní
94
0
0
0
7
0
Léwu
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
65
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
64
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
láti ọwọ́ Charlie
Ìgbà Àtijọ́
67
0
0
0
2
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
láti ọwọ́ Charlie
Ìgbà Àtijọ́
193
0
0
0
4
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
láti ọwọ́ Charlie
Ìgbà Àtijọ́
53
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
67
0
0
0
4
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
láti ọwọ́ Florecita
Iṣẹ́ Àgbẹ̀
47
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
láti ọwọ́ Charlie
Kíkun
151
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium
láti ọwọ́ Charlie
Kíkun
227
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
láti ọwọ́ Charlie
Kíkun
146
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
láti ọwọ́ Charlie
Kíkun
201
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing
láti ọwọ́ Mary
Kíkun
142
0
0
0
8
0
Ń fi 13 nínú 37 hàn