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PlanySztukaSztuka Dekoracyjna

Sztuka Dekoracyjna

Dostępne plany: 64 • Podkategorie: 14

Plany (64)

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

autor: CharlieDE

Starożytny

43
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

autor: CharlieDE

Starożytny

43
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
Niebezpieczne

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

autor: CharlieDE

Nowoczesny

45
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Niebezpieczne

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

autor: CharlieDE

średniowiecze

23
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

autor: CharlieDE

średniowiecze

27
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

autor: CharlieDE

Starożytny

23
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

autor: CharlieDE

Starożytny

18
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

autor: CharlieDE

Starożytny

53
0
0
0
4
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

autor: CharlieDE

Starożytny

28
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

autor: CharlieDE

średniowiecze

33
0
0
0
4
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World

Making Lime Wash — The Oldest and Simplest Wall Paint in the World

autor: CharlieDE

Prehistoryczny

65
0
0
0
2
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín

Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín

autor: FlorecitaMX

Rolnictwo

24
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium

Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium

autor: CharlieDE

Malarstwo

108
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium

Making Egg Tempera Paint — The Medieval Panel Painting Medium

autor: CharlieDE

Malarstwo

124
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil

Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil

autor: CharlieDE

Malarstwo

108
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder

Making Watercolour Paint from Raw Pigments — Gum Arabic Binder

autor: CharlieDE

Malarstwo

126
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing

Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing

autor: MaryFI

Malarstwo

74
0
0
0
8
0
Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy

Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy

autor: TexFO

Kaligrafia

78
0
0
0
0
0
Gothic Blackletter Calligraphy — Textura Quadrata

Gothic Blackletter Calligraphy — Textura Quadrata

autor: TexFO

Kaligrafia

179
0
0
0
1
0
Making Iron Gall Ink from Oak Galls

Making Iron Gall Ink from Oak Galls

autor: TexFO

Kaligrafia

76
0
0
0
4
0