SZTUKA
Piękno i dobre samopoczucie
RZEMIOSŁO
KULTURA I HISTORIA
ROZRYWKA
ŚRODOWISKO
JEDZENIE I NAPOJE
INŻYNIERIA ODWROTNA
NAUKI
LEKKOATLETYKA
TECHNOLOGIA
URZĄDZENIA DO NOSZENIA
Sztuka Dekoracyjna
Dostępne plany: 77 • Podkategorie: 14
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Plany (77)
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
autor: Charlie
SZTUKA
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
autor: Charlie
SZTUKA
59
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
autor: Charlie
Zwierzę
142
0
0
0
3
0
Niebezpieczne
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
autor: Charlie
Starożytny
108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
autor: Charlie
średniowiecze
132
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
autor: Charlie
Starożytny
90
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
autor: Charlie
Starożytny
90
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
autor: Charlie
Nowoczesny
90
0
0
0
7
0
Niebezpieczne
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
autor: Charlie
średniowiecze
64
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
autor: Charlie
średniowiecze
63
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
autor: Charlie
Starożytny
66
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
autor: Charlie
Starożytny
48
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
autor: Charlie
Starożytny
180
0
0
0
4
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
autor: Charlie
Starożytny
52
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
autor: Charlie
średniowiecze
67
0
0
0
4
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World
autor: Charlie
Prehistoryczny
128
0
0
0
2
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
autor: Florecita
Rolnictwo
47
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
autor: Charlie
Malarstwo
149
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium
autor: Charlie
Malarstwo
219
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
autor: Charlie
Malarstwo
143
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
autor: Charlie
Malarstwo
199
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing
autor: Mary
Malarstwo
140
0
0
0
8
0
Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy
autor: Tex
Kaligrafia
126
0
0
0
0
0
Kaligrafia gotycka — Textura Quadrata
autor: Tex
Kaligrafia
313
0
0
0
1
0
Pokazano 24 z 77