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Sztuka Dekoracyjna
Dostępne plany: 64 • Podkategorie: 14
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Plany (64)

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
autor: Charlie
Starożytny
43
0
0
0
6
0

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
autor: Charlie
Starożytny
43
0
0
0
9
0

Niebezpieczne
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
autor: Charlie
Nowoczesny
45
0
0
0
7
0

Niebezpieczne
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
autor: Charlie
średniowiecze
23
0
0
0
6
0

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
autor: Charlie
średniowiecze
27
0
0
0
8
0

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
autor: Charlie
Starożytny
23
0
0
0
2
0

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
autor: Charlie
Starożytny
18
0
0
0
3
0

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
autor: Charlie
Starożytny
53
0
0
0
4
0

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
autor: Charlie
Starożytny
28
0
0
0
3
0

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
autor: Charlie
średniowiecze
33
0
0
0
4
0

Making Lime Wash — The Oldest and Simplest Wall Paint in the World
autor: Charlie
Prehistoryczny
65
0
0
0
2
0

Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
autor: Florecita
Rolnictwo
24
0
0
0
0
0

Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
autor: Charlie
Malarstwo
108
0
0
2
0
0

Making Egg Tempera Paint — The Medieval Panel Painting Medium
autor: Charlie
Malarstwo
124
0
0
0
4
0

Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
autor: Charlie
Malarstwo
108
0
0
0
5
0

Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
autor: Charlie
Malarstwo
126
0
0
2
2
0

Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing
autor: Mary
Malarstwo
74
0
0
0
8
0

Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy
autor: Tex
Kaligrafia
78
0
0
0
0
0

Gothic Blackletter Calligraphy — Textura Quadrata
autor: Tex
Kaligrafia
179
0
0
0
1
0

Making Iron Gall Ink from Oak Galls
autor: Tex
Kaligrafia
76
0
0
0
4
0