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PlanySZTUKA
SZTUKA
Dostępne plany: 112 • Podkategorie: 3
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Plany (112)
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
autor: Charlie
średniowiecze
69
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
autor: Charlie
Starożytny
43
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
autor: Charlie
Starożytny
43
0
0
0
9
0
Niebezpieczne
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
autor: Charlie
Nowoczesny
45
0
0
0
7
0
Niebezpieczne
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
autor: Charlie
średniowiecze
23
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
autor: Charlie
średniowiecze
27
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
autor: Charlie
Starożytny
23
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
autor: Charlie
Starożytny
18
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
autor: Charlie
Starożytny
53
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
autor: Charlie
Prehistoryczny
41
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
autor: Charlie
Starożytny
28
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
autor: Charlie
średniowiecze
33
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
autor: Charlie
Starożytny
35
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
autor: Charlie
Prehistoryczny
69
0
0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World
autor: Charlie
Prehistoryczny
65
0
0
0
2
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
autor: Charlie
Prehistoryczny
51
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
autor: Charlie
średniowiecze
38
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters
autor: Charlie
Starożytny
39
0
0
0
7
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
autor: Florecita
Rolnictwo
24
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
autor: Charlie
Malarstwo
108
0
0
2
0
0