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PlanySZTUKA
SZTUKA
Dostępne plany: 126 • Podkategorie: 3
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Plany (126)
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
autor: Charlie
Starożytny
90
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
autor: Charlie
Nowoczesny
91
0
0
0
7
0
Niebezpieczne
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
autor: Charlie
średniowiecze
64
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
autor: Charlie
średniowiecze
63
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
autor: Charlie
Starożytny
66
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
autor: Charlie
Starożytny
48
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
autor: Charlie
Starożytny
180
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
autor: Charlie
Prehistoryczny
74
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
autor: Charlie
Starożytny
52
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
autor: Charlie
średniowiecze
67
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
autor: Charlie
Starożytny
84
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
autor: Charlie
Prehistoryczny
164
0
0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World
autor: Charlie
Prehistoryczny
128
0
0
0
2
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
autor: Charlie
Prehistoryczny
120
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
autor: Charlie
średniowiecze
93
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters
autor: Charlie
Starożytny
94
0
0
0
7
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
autor: Florecita
Rolnictwo
47
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
autor: Charlie
Malarstwo
150
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium
autor: Charlie
Malarstwo
219
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
autor: Charlie
Malarstwo
143
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
autor: Charlie
Malarstwo
199
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing
autor: Mary
Malarstwo
140
0
0
0
8
0
Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy
autor: Tex
Kaligrafia
126
0
0
0
0
0
Kaligrafia gotycka — Textura Quadrata
autor: Tex
Kaligrafia
313
0
0
0
1
0
Pokazano 24 z 126